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A simple, but funny production with a strong cast and an enthusiastic chorus brought Rossini's comedy to life.

Italian swagger and French farce combining to raise some much needed laughs despite the restrictions of a concert performance at Cadogan Hall.

The singing is strong and the stagework slick in Laurent Pelly's rib-tickling, often uproarious production of Le Comte Ory.

When Jean-Christophe Spinosi stepped onto the podium to conduct Le Comte Ory that night, he didn’t wait for his applause to cease, but instantly cued a hearty forte from the Ensemble Matheus, and consequently a few incredulous looks from the audience.

When Franz Liszt conducted Le Comte Ory in Weimar, he said it “bubbled like champagne,” according to the Metropolitan Opera’s program note. It also noted that Liszt arranged for the audience to be served champagne in Act II.

Pour terminer l’année en beauté, l’Opéra royal de Wallonie a choisi de proposer aux mélomanes Le Comte Ory de Rossini, en reprenant la mise en scène signée Denis Podalydès.

Le Comte Ory vient clore en apothéose la saison 2017 de l’Opéra Comique, avec à la manœuvre le tandem Louis Langrée et Denis Podalydès.