| dimanche 04 avril 2027 | 16:00 |
| jeudi 08 avril 2027 | 11:00 |
| dimanche 11 avril 2027 | 16:00 |
| lundi 12 avril 2027 | 11:00 |
| jeudi 22 avril 2027 | 11:00 |
| dimanche 02 mai 2027 | 11:00 |
| jeudi 06 mai 2027 | 11:00 |
| samedi 08 mai 2027 | 16:00 |
| lundi 10 mai 2027 | 11:00 |
| Penderbayne, Samuel (n. 1989) | Conrad or The factory-made boy | Livret de Susanne Lütje and Anne X. Weber based on the book of the same name by Christine Nöstlinger |
| Komische Oper Berlin | |||
| Anne Hinrichsen | Direction | ||
| Ruth Brauer-Kvam | Mise en scène | ||
| Alfred Peter | Décors | ||
| Alfred Mayerhofer | Costumes | ||
| Johannes Scherfling | Lumières | ||
| Orchester der Komischen Oper Berlin | |||
| Kinderchor der Komischen Oper Berlin | |||
| Sophia Jira | Dramaturgie | ||
| Martina Borroni | Chorégraphie | ||
| Jean-Christophe Charron | Chef de chœur | ||
| Dagmar Barbara Fiebach | Chef de chœur | ||
| Vocalconsort Berlin | |||
| Mengqi Zhang | Soprano | Conrad | 2027 avril 04, 11, 22 mat, mai 06 mat, 10 mat |
| Hyerim Kim | Soprano | Conrad | 2027 avril 08 mat, 12 mat, mai 02 mat, 08 |
| Mirka Wagner | Soprano | Berti Bartolotti | 2027 avril 04, 11, 22 mat, mai 06 mat, 10 mat |
| Andreja Schneider | Comédien | Berti Bartolotti | 2027 avril 08 mat, 12 mat, mai 02 mat, 08 |
| Tom Erik Lie | Baryton | Herr Egon | 2027 avril 04, 08 mat, 12 mat, mai 10 mat |
| Philipp Meierhöfer | Basse | Herr Egon | 2027 avril 11, 22 mat, mai 02 mat, 06 mat, 08 |
| Elisa Maayeshi | Soprano | Kitti | |
| Ulrike Helzel | Mezzo-soprano | Frau Hecht, Nachbarin | |
| Johannes Dunz | Ténor | Fabrikdirektor / Lehrer Stainz | |
| Jaewon Kwak | Baryton-basse | Fabrikarbeiter Meier |
That was quick! The delivery man rings the doorbell, you scribble a signature and receive a package. And although you don’t remember ordering an oversized tin can, you open it up to find inside – a child?!
Never did Berti Bartolotti imagine that a misdelivered package would turn her into a mother! The Himmelblau company, experts in mass-producing model children, has sent her a Premium Chromo XY/3859 unit, a seven-year-old named Conrad. Determined to prevent the company from taking him back, Berti hatches a wild plan: the model child must become someone the company no longer recognizes – someone who’s disobedient, cheeky, and loud!
Ruth Brauer-Kvam presents Samuel Penderbayne’s opera Conrad: The Factory-Made Boy as a colourful modern fairy tale celebrating diversity and solidarity while exploring the meaning of family and the question of what it means to be ‘perfect’.
