Southbank Centre: Royal Festival HallBelvedere Road, Londres, Greater London, SE1 8XX, Royaume-uni
Dates/horaires selon le fuseau horaire de London
Programme
| Beethoven, Ludwig van (1770-1827) | Symphonie no. 5 en ut mineur, Op.67 | |
| Dallapiccola, Luigi (1904-1975) | Il prigioniero |
Artistes
| Philharmonia Orchestra | ||
| Esa-Pekka Salonen | Direction | |
| Lauri Vasar | Basse | Il prigioniero (The Prisoner) |
| Paoletta Marrocu | Soprano | La madre (The Mother) |
| Peter Hoare | Ténor | Il carceriere (The Gaoler)/ Il grande Inquisitore (The Grand Inquisitor) |
Esa-Pekka Salonen conducts the Philharmonia in Dallapiccola’s Il prigioniero, an opera of chilling political statement.
An opera of chilling political statement, Dallapiccola’s Il prigioniero tells the story of a political prisoner whose jailor allows him to escape, apparently in a gesture of fraternity. In reality it is a cruel joke, as the prisoner reaches the fresh, open air only to run into the arms of the Grand Inquisitor who leads him away to be burned alive. The opera was composed between 1944-48 and reflects Dallapiccola’s disillusionment with Mussolini’s politics: he claimed that his writing would never be as light and carefree as it once was. The composer’s unique blend of lyrical writing in a serialist technique makes this opera searingly moving; and it ends with the prisoner simply whispering the word “Freedom?”.
An opera of chilling political statement, Dallapiccola’s Il prigioniero tells the story of a political prisoner whose jailor allows him to escape, apparently in a gesture of fraternity. In reality it is a cruel joke, as the prisoner reaches the fresh, open air only to run into the arms of the Grand Inquisitor who leads him away to be burned alive. The opera was composed between 1944-48 and reflects Dallapiccola’s disillusionment with Mussolini’s politics: he claimed that his writing would never be as light and carefree as it once was. The composer’s unique blend of lyrical writing in a serialist technique makes this opera searingly moving; and it ends with the prisoner simply whispering the word “Freedom?”.
