L'Inde au Victoria Hall : le tabla de Zakir Hussain aux honneurs.

Par Thomas Muller, 24 janvier 2016

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“nous sommes face à un soliste vénéré en Inde, qui reste d’une indéniable modestie face au public.”

Critique faite à Victoria Hall, Genève, le 21 janvier 2016

Smetana, Die verkaufte Braut: Ouverture

Hussain, "Peshkar", Konzert für Tabla und Orchester

Bartók, Concerto pour orchestre, Sz 116

Symphony Orchestra of India

Zakir Hussain, Tabla

Zane Dalal, Direction

From Evil Empire to Grail Fellowship: The Symphony Orchestra of India

Roy Westbrook, 8th December

Richard Farnes conducts Andrew Gourlay's symphonic suite drawn from Wagner's Parsifal as the Symphony Orchestra of India returns to Cadogan Hall.

****1

When East meets West: the Symphony Orchestra of India in London Town

Alexander Hall, 30th November

Visiting orchestras often bring something special with them: here it was a newly commissioned triple concerto for classical Indian instruments. Alpesh Chauhan impresses in Stravinsky, less so in Richard Strauss.

***11

Safety first: the Symphony Orchestra of India makes its London debut

Mark Pullinger, 20th February

An evening of different musical flavours, but none, as yet, are quite distinctive on the palate.

***11

Safety first: the Symphony Orchestra of India makes its London debut

Mark Pullinger, 20th February

An evening of different musical flavours, but none, as yet, are quite distinctive on the palate.

***11

When East meets West: the Symphony Orchestra of India in London Town

Alexander Hall, 30th November

***11

Safety first: the Symphony Orchestra of India makes its London debut

Mark Pullinger, 20th February

An evening of different musical flavours, but none, as yet, are quite distinctive on the palate.

***11

Plus de critiques...

Thomas Muller

Podologue spécialisé en Education Thérapeutique du Patient et Diabétologie, chanteur, administrateur de choeur, fondateur d'orchestre et ancien hautboïste amateur, Thomas est passionné de musique et particulièrement vocale. Toujours sensible aux timbres des orchestres et de la capacité des musiciens de développer un chant musical qui provoque chez l'auditeur une émotion vraie, en dehors de tout intellectualisme.