Voici 48 des 48 articles

23 avril 2021
« Je suis habitué aux polémiques » : Stéphane Lissner

24 mars 2021
Peut-être pas en ligne droite : Joan Matabosch, directeur du Teatro Real

03 nov. 2020
L’édito de novembre : ode aux irréductibles

01 oct. 2020
Musique vs Covid-19 : état des lieux en Europe occidentale

03 août 2020
Les chorégraphes face à la pandémie, no.5 : Sidi Larbi Cherkaoui
22 juin 2020
Les chorégraphes face à la pandémie, no.2 : Gabriela Carrizo
15 juin 2020
Les chorégraphes face à la pandémie, no.1 : Rachid Ouramdane
08 avril 2020
De la part des fondateurs : Bachtrack au temps du coronavirus


21 mars 2022
Alone Together: Jennifer Koh on new commissions and telling stories

04 oct. 2021
Getting back to the theater, as safely as possible

28 sept. 2021
We need mask mandates and a health pass. Now.

24 sept. 2021
Dropping the mask: are we jeopardising the arts’ recovery?

21 mai 2021
“I’ve felt very lucky to be a composer”: Missy Mazzoli

29 avril 2021
COVID-19 news feed: cancellations, new seasons, virtual events

05 janv. 2021
Goodbye, 2020. What now for 2021?

04 janv. 2021
Hungary’s artistic polymath: Csaba Káel, CEO of Müpa

07 déc. 2020
Streams ahead: a guide to best online practice

03 déc. 2020
At the helm of the aircraft carrier: Oliver Mears

25 nov. 2020
Keeping music live, whatever it takes: Kings Place's Helen Wallace

16 nov. 2020
La música en España en tiempos de covid-19

02 nov. 2020
Music vs. Covid-19: the Asia, America and Oceania

30 sept. 2020
Bavaria makes a cautious return to the concert hall

21 sept. 2020
US virtual summer music camps in the pandemic

18 sept. 2020
Defying Covid-19 in Switzerland: LuganoMusica’s Etienne Reymond

16 sept. 2020
“Where the will is awakened…” How the Salzburg Festival defied Corona

14 sept. 2020
Covid-19 in the Netherlands: rapid shutdown, gradual reopening

11 sept. 2020
Free streaming: lifeline or noose?

09 sept. 2020
John Gilhooly: music needs to be united, calm and reasoned

04 sept. 2020
Lisette Oropesa on singing a socially-distanced Traviata


01 sept. 2020
After Declan Costello's PERFORM study, what next?


09 août 2020
With the Culture Recovery Fund opening, is it time for a new strategy?

22 juil. 2020
Hofesh Shechter, both believing and disbelieving in change

16 juil. 2020
The science for restarting live performance: Declan Costello

10 juil. 2020
Coming out of lockdown in Japan

07 juil. 2020
The importance of grass-roots cultural life: a view from the US

02 juil. 2020
Not the time to be dark: what audiences are telling us

02 juil. 2020
Live performance is in mortal peril. Now is the time to shout.
30 juin 2020
Choreographers against the pandemic, no.3: Marcos Morau
29 juin 2020
A Snapshot of cultural life in Scotland
10 juin 2020
Opera in times of corona: a snapshot of cultural life in Germany
28 mai 2020
Concerts and opera return to Italy
22 mai 2020
Don't let the music stop: the Association of British Orchestras
22 mai 2020
A Swedish angle on Covid-19: Stockholm’s Stefan Forsberg

13 mai 2020
Photo gallery: London in lockdown
11 mai 2020
Do governments care about the arts? Interview with Jasper Parrott
07 mai 2020
What next for the Beethoven Orchestra Bonn?
01 mai 2020
Navigating coronavirus waters: Bamberg Symphony's Marcus Axt
10 avril 2020
A coronavirus cliffhanger: the score for The Nest
