En direct, Vidéo: Rechercher des critiques de musique classique, opéra et ballet | BBC Concert Orchestra

Robert Murray is the standout performer in a night of waltzes and numbers from operetta.

Finding orange everywhere: a concept concert from the BBC Concert Orchestra with Anna-Maria Helsing and Victor Sangiorgio. 

Sparks were flying on Friday night, and not only from the feet of the Unthank sisters and fellow clog dancing Prommers. Sam Lee said it: “the folking Albert Hall”.

With a smaller programme and a humbler premise, the stars of the show – those young, immensely talented performers – could have shone even brighter

The John Williams Prom was not just a celebration of his work but a veritable blockbuster.

Grange Park Opera scored a direct hit with a fine production of Janáček's masterpiece, led by a superb performances from Natalya Romaniw and Susan Bullock as Jenůfa and the Kostelnička.

Jessica Cottis and the BBC Concert Orchestra are Tree Fu Go.

The BBC Concert Orchestra and Keith Lockhart offered a snapshot of the Bard's lasting artistic impact with music for composed for stage and screen, from this side of the Atlantic and beyond the pond.

Glitterballs and ticker tape come to the Royal Albert Hall as BBC Proms and Strictly Come Dancing prove that Two can Tango...

Saint-Saens' “Dance of Death” and Orff's gaudy, medieval satire framed a stunningly-realised new commission from Guy Barker, with Alison Balsom playing against type. 

The BBC Concert Orchestra and Sir David Attenborough explore the mysteries of life in the Life Story Prom.

The BBC Concert Orchestra and Barry Wordsworth were joined by Stile Antico, Jack Liebeck and Christine Rice in an exploration of the musical mind of fictional detective Sherlock Holmes. 

Dancing, jokes, a pogrom and Bryn Terfel balancing on milk vats. It could only be Fiddler on the Roof. Grange Park Opera took an eclectic combination and planted if successfully on the Proms stage.

Hyde Park's Last Night of the Proms is a marathon specatcle, with highlights from Earth Wind and Fire, Rufus Wainwright and land lubbing ensemble The Fisherman's Friends.

Prom 71's excursion across America contained some great music, but delivered less than it promised.

Ein Kriegspferd in der Royal Albert Hall: die BBC Proms erinnern an den Beginn des ersten Weltkrieges - mit einem kinderfreundlichen Programm und vierbeinigen Gästen.

For the first time in the Proms' history, the programme for the first of this season's Late Nights included the premiere of A Man from the Future, a groundbreaking new piece about codebreaker Alan Turing.

This was the first time I've been to a concert with a 10:30 kick-off, but then this was the first of its kind. Nor did the inaugural Sport Prom turn out to be merely a game of two halves...

Stylish, intelligent and visceral, with a magnetic central performance by Claire Rutter, Grange Park give us a powerful, tough La traviata updated to 1950s Hollywood.

Hot on the heels of this year’s Hollywood Rhapsody Prom came its less glamorous, perhaps geekier sibling, the Film Music Prom. There was less of the fanfare and opulence here; this was about the silver screen (and by that, I don’t mean the sort that is coming back into use for 3D films) and sci-fi.

There was a noticeable difference in the audience who had come to this Prom from those who had attended the rather more serious Proms in the preceding week: colourful clothing. Gone were the sombre suits; in came casual summer dress in every imaginable colour under the sun.

When choosing a Gilbert and Sullivan operetta to be performed at the Proms in a year firmly branded as "London 2012", The Yeomen of the Guard had obvious appeal, being set in one of the capital's most famous landmarks, and giving the opportunity, even in semi-staged form, to deck the hall with Beefeater uniforms.

Have you ever been in a chorus of 5,000 people singing the words of an Indian takeaway menu to the tune of Nessun Dorma? Well, courtesy of Kit and the Widow, Susan Bullock and the BBC Comedy Prom, I now have. Of course, the delight of the Proms audience is that not only did everyone know the tune, but a large majority were able to sing it quite competently: it really sounded more than decent.

A work scheduled to last nearly two hours could be excused for starting with a long slow build up, but Havergal Brian’s massive Gothic Symphony (the longest symphony ever composed) bursts onto the scene with a brisk and bustling march-like flourish, contrasted briefly with a delicate violin solo that reminds us that this is very much an English composition.