En direct, Vidéo: Rechercher des critiques de musique classique, opéra et ballet | Tom Erik Lie

Dans le cadre de sa programmation estivale, l'opéra comique de Berlin proposait une nouvelle production de Barbe-Bleue de Jacques Offenbach.

The last of Jacques Offenbach's great buffo operettas provides an opportunity for topical satire but Max Hopp’s attempts at updating it fall short of the mark.

Thanks to Barrie Kosky's flamboyant imagination and a solid cast, the Komische Oper's new production of La Cage aux Folles glitters, but could be more gay.

Marking the beginning of a new artistic direction, the Komische Oper's new production of Nono's Intolleranza 1960 proves a success, with director Marco Štorman's deep rethinking of the theatre stage.

The Komische Oper's new, socially-distanced Offenbach staging shows plenty of glitzy defiance in its brief appearance before Germany's latest lockdown. 

Sophisticated interpretation of The Bassarids by Hans Werner Henze at the Komische Oper Berlin

At the Enescu Festival n Bucharest Vladimir Jurowski celebrates the centennial of Die Frau one Schatten’s premiere.

Serious farce, warm-hearted sarcasm, operatic Broadway: Barrie Kosky and Komische Oper turn Bernstein's problem child into a show that thrills from start to finish.

Pierangelo Valtinoni’s take on the classic story is a charming introduction to opera for children. 

Stefan Herheim packs puns and gags into a three-hour long show, but less could have been more. 

The Spanish director offers a controversial angle but tones it down to focus on dark psychology rather than spectacle in his staging of Schrecker's hothouse opera.

Allzu lange kaute Rameau für den Geschmack des damaligen Publikums auf der Gegenüberstellung von Gut und Böse, Schwarz und Weiß herum. Wäre die Neuproduktion der Komischen Oper Berlin die Uraufführung gewesen, hätte es Rameaus Bühnenmusik wohl auch nicht leichter gehabt. 

Barrie Kosky spielt in einer neuen Fassung von Die Krönung der Poppea an der Komischen Oper mit traditionellen Konventionen des Männlich-Weiblichen.

With a guest performance of the Komische Oper Berlin, Barrie Kosky's and Suzanne Andrade's magical production triumphs in Budapest.

Sorochyntsi Fair was last performed at Berlin's Komische Oper in 1948 by the legendary stage director Walter Felsenstein. Now Barrie Kosky, stage director and intendant, has tried his hand.

Barrie Kosky's production of Schoenberg's unfinished masterpiece is brought to musical life by Vladimir Jurowski's intense and compelling interpretation.

Die Zauberflöte is a work whose outward simplicity masks internal complexity and even contradictions. Mozart’s music is childishly tuneful and yet reaches for the classically sublime; Emmanuel Schikaneder’s libretto alternates a magical quest story out of a German storybook with Masonic claptrap and secondhand Voltaire.