En direct, Vidéo: Rechercher des critiques de musique classique, opéra et ballet | Stuart Stratford

Hye-Youn Lee and Mario Chang head a strong cast in Barbe and Doucet’s revival of La bohème, which marks the retirement of veteran lighting designer, Guy Simard.

With misplaced horse heads, violin case guns and as many mafia gags as you could hope for, Scottish Opera’s Merry Widow may not be subtle but it looks and sounds gorgeous. 

Barbe and Doucet’s witty 1960s Don Pasquale is revived for Scottish Opera, with Stuart Stratford conducting a fine cast. 

Scottish Opera brings an immersive community production to the Edinburgh Festival directed by Roxana Haines, performed in the National Museum of Scotland.

Sir Thomas Allen returns to Scottish Opera to revive The Barber of Seville with a strong cast headed by Samuel Dale Johnson, Anthony Gregory, David Stout and Simone McIntosh. 

Scottish Opera’s 60th birthday present proves a triumph, with outstanding singing from Karen Cargill, Sunyoung Seo, Viktor Antipenko and Roland Wood. 

Scottish Opera’s visually stunning new production is headed by a strong trio of Lauren Fagan, Julieth Lozano and Samantha Hankey. 

Set in the sinister backstreets of Venice, this production from 2013 boasts strong singing all around and brisk, bright conducting by Stuart Stratford.

Dominic Hill brings a touch of the theatre to a finely sung new production of Britten's opera, with Stuart Stratford conducting a driven ensemble.

David McVicar’s Jacobean-inspired production is a true delight, a finely sung production led by Roland Wood as Verdi's fat knight.

Breaking the Waves is a remarkable opera. Scottish Opera has brought a thrilling cast, orchestra and team to Adelaide, and its audiences are all the richer for it.

Anthony Besch’s trusty Tosca returns to Scottish Opera with Natalya Romaniw packing a punch in the title role. 

Sydney Mancasola gives a towering performance in Scottish Opera's new production by Tom Morris.

Stephen Lawless' new production for Scottish Opera and Theater Magdeburg sets the action in the industrial wastelands of Russia. 

Climate change, challenged egos and a strange Ice woman tell a gruesome tale in Anthropocene, a finely sung new opera from Stuart MacRae, with libretto from Louise Welsh, set in the Arctic with a cinematic score.