English National Opera revives Lucia di Lammermoor in chilling style

Par Mark Valencia, 26 octobre 2018

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“Donizetti’s tragedy scrubs up as brightly as any gorefest could hope to do.”

Critique faite à The London Coliseum, Londres, le 25 octobre 2018

Donizetti, Lucia di Lammermoor (Lucie de Lammermoor)

English National Opera

Stuart Stratford, Direction

David Alden, Mise en scène

Charles Edwards, Décors

Brigitte Reiffenstuel, Costumes

Lester Lynch, Enrico (Henri)

Sarah Tynan, Lucia (Lucie)

Eleazar Rodriguez, Edgardo (Edgard)

Clive Bayley, Raimondo (Raymond)

Michael Colvin, Arturo (Arthur)

Sarah Pring, Alisa

Elgan Llŷr Thomas, Normanno

English National Opera Chorus

English National Opera Orchestra

Adam Silverman, Lumières

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David Karlin, 16th February

Never has Brecht and Weill’s satire on the inhumanity of man to man been render with such utter darkness; Simon O’Neill heads up a superb cast.

*****

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Dominic Lowe, 6th February

English National Opera's revival of Phelim McDermott’s popular production is a blend of spectacle with some first-class singing, with Lucy Crowe emphasising her Mozartian credentials.

****1

Cocteau-esque camp: Alden’s Partenope returns to ENO

Mark Valencia, 20th November

Christopher Alden’s Olivier Award-winning production of Handel’s Partenope returns to the Coliseum, but it's the singing that earns the plaudits.

****1

Dead Man Walking at English National Opera: a superb execution

David Karlin, 1st November

Anneliese Miskimmon's ENO production of Jake Heggie and Terence McNally's tale of crime, repentance, compassion and redemption compels from start to finish.

*****

Comedy falls flat in ENO's season opening Cinderella

Mark Valencia, 27th September

Julia Burbach and her designer, Herbert Murauer, are defeated by the wide canyons of the Coliseum stage in their modern-dress Cinderella.

**111

ENO gives Thea Musgrave's Mary, Queen of Scots a worthy performance

Nick Boston, 15th February

Musgrave's powerful depiction of a powerful woman at the mercy of male manipulation receives a strong staging from at ENO.

****1

Plus de critiques...

Mark Valencia

Mark has worked in arts journalism for four decades, both as a writer and as a French-English translator. Nowadays he focuses his energies on reviewing opera and music. Mark also writes for Opera magazine and for Musical America as a correspondent for Europe and the UK.