En direct, Vidéo: Rechercher des critiques de musique classique, opéra et ballet | David Hill

Dimanche 7 juin 2015, le Royal Philharmonic Orchestra et le Bach Choir donnaient l'oratorio Elias de Mendelssohn au Royal Festival Hall, sous la direction de David Hill. Une grosse déception : pas d’émotion et pas de sens du sacré.

A memorable evening of superb music-making at the Royal Festival Hall, illuminating two well-known Vaughan Williams scores and shining a light on a seldom performed rarity.

The world premiere of Gabriel Jackson’s ambitious but inert The World Imagined and a complacent Enigma Variations are outclassed by Samuel Coleridge-Taylor’s gorgeous Solemn Prelude at Worcester Cathedral.

David Hill conducted the orchestra in a programme under the heading "Love Lost and Found".

David Hill took the helm as the Bournemouth Symphony Orchestra opened its account with arrangements of Bach and Mahler, an Ives masterpiece and an ebullient Beethoven 7.

It was especially effective to hear the line “One ever hangs where shelled roads part” with the vast hanging crucifix with its portrait of Christ dominating the scene behind.

Judith Weir's dramatic new choral work receives a convincing world première from David Hill and the BBC Singers at Southwark Cathedral. 

The ultimate musical misnomer, Rossini's last major work is beautifully sung in the wonderful surroundings of the Chapel of the Old Royal Naval College in Greenwich.

Mahler's epic setting of the final scene from Goethe's Faust is so demanding of musical resources that any performance is a special occasion: what better work to conclude the Orchestra Of Opera North's triumphant 2015-2016 season? 

Stimulating sounds from the Academy of Ancient Music in late night Bach at the Proms. 

For modern ears, Beethoven’s Choral Fantasy is a curious beast, a hybrid of orchestral, concertante and choral genres and thus quite difficult to programme in a regular concert. 

An unusual programme of music from the Bournemouth Symphony Orchestra, viewing the passing of youth through a lens of nostalgia and sadness but, at the same time, also dreaming of the sheer joy and exuberance of youth.

At very short notice David Hill stepped in to conduct an all-French programme with the London Symphony Orchestra where serenity, elegance and passion were all beautifully communicated.

This celebration of Tavener's music showed the extraordinary depth and breadth of his compositions. 

Seven works by English composers created a journey from beauty to death as Remembrance day approaches. There wasn't much dwelling on the horrors of war itself, but plenty of human emotion and a sense of life sadly lost.

Andrew Litton and the BBCSO and the BBC Singers create order out of chaos at the Barbican Hall in a challenging programme including Charles Ives monumental 4th Symphony.

Steve Reich's 'opus number one', It's Gonna Rain, for magnetic tape, and The Desert Music for chamber ensemble and singers, came together for this Late Night Prom. Both pieces were almost hypnotic, and made for a very intense, but highly satisfying musical experience.

On the night of 29 December, 1940, after a brief respite over Christmas, German bombers roared back over Britain. They dropped numerous incendiary bombs on the City of London, causing massive destruction, loss of life, and uncontrollable fires that raged for days. Miraculously, St Paul’s Cathedral survived the onslaught intact, even as much of the surrounding neighbourhood was reduced to rubble.

November continues to be a month of poppy art, despite Philip Larkin’s derisory account of “Wreath-rubbish in Whitehall”. As the only flower to survive the ravished soils of the trenches following the First World War, the poppy is replicated in the form of a paper badge to be worn yearly in commemoration of 11 November, the Armistice Day of 1918.

After weeks of foul weather, this was more like it. Proper sunshine for a summer festival. Around Hereford Cathedral, watched over by a statue of Elgar draped in a fresh laurel wreath, Three Choirs Festival-goers enjoyed the warmth before venturing inside for equally sunny music. Even the yellow flowers framing the stage carried through the theme, setting off the golden centre-stage harp.

In most concert listings, premières seem to be thrown in as a one-off to offset a relatively risk-free billing. In this Cheltenham Music Festival concert, this was not the case. With no less than five premières in an evening of seven choral works, those present could be assured that they were hearing something new.

Themes of spirituality and religion pervaded the fourth and final chamber music prom of this BBC Proms season.

Imagine the first meeting between two young lovers, a couple who will eventually marry. As they walk through a forest in the moonlight, the girl reveals to her new friend that she is pregnant by another man.