En direct, Vidéo: Rechercher des critiques de musique classique, opéra et ballet | Tim Mitchell

Scion of generations of sitar players, Nishat Khan is the perfect person to tell the "greatest love story never told" behind India's most iconic building.

Why is Tchaikovsky’s very fine opera still a rarity outside Russia? David Pountney directs a new production at the Surrey festival. 

Sir David Pountney's 1997 staging for Welsh National Opera is given a welcome new lease of life at Grange Park Opera, splendidly cast... with one major exception. 

Annabelle Lopez Ochoa's A Streetcar Named Desire for Scottish Ballet fires on all cylinders. Compelling drama and outstanding dancing make this a must-see.

Polly Graham's production turns semi-opera into “three-quarters opera”, to good effect.

Olivia Fuchs directs Monteverdi's early opera in a sparse staging with a consistently fine cast. 

John Doyle's emotional staging of Werther gets to the heart of Massenet's engagement with Goethe in memorable performances.      

Stephen Medcalf gingers up Grange Park Opera’s staging with some deft directorial touches… even if Tosca is denied her final leap.

Charles Edwards' ambitious production is well served by a strong cast as Grange Park Opera opens its season in the Theatre in the Woods. 

It’s back with the same team, slightly tweaked here and there and with a new generation of dancers taking on those iconic roles. What took them so long?

No hippos in tutus for The Dance of the Hours, but panto frolics abound in Stephen Madcalf's staging in the idyllic Theatre in the Woods. 

Once upon a time, an Emperor was hunting when his red falcon caught a white gazelle. As he grasped the animal, it transformed into a beautiful princess in his arms and they fell in love. She was the daughter of Keikobad, the King of the spirit world, a woman of such translucent beauty that she cast no shadow, but she lived under a curse...