En direct, Vidéo: Rechercher des critiques de musique classique, opéra et ballet | Jan Philipp Gloger

Kálmán's operetta brilliantly updated to the super-rich of today, with starry singing from Annette Dasch and Pavol Breslik.

In Il turco in Italia, Gioachino Rossini’s command of spiritedness and musical timing is well matched by the plot of lovers’ infidelities.

Everyone is in the know in Jan Philipp Gloger's “School for Lovers”, receiving its first revival at Covent Garden. 

An unlikely coupling of one-act operas by Zemlinsky and Puccini bears fruit in a staging that reveals their thematic parallels while leaving their obvious differences on show.

Fine singing from the quartet of lovers isn't enough to prevent Bychkov's slow tempi and Gloger's earnest direction from turning Così into a very long evening.

Dutch National Opera have given themselves and their patrons a smashing 50th birthday present – a production of Der Rosenkavalier that is a winner on all fronts.

An updated but otherwise traditional Flying Dutchman directed by Jan Philipp Gloger offers plenty of enjoyment at Bayreuth, although it might not linger in the memory as long as the more controversial fare at the Festival

Seldom performed, this Vivaldi work plays on all the great themes of opera: jealousy, identity, paternal and fraternal love, and other human values cast aside for all the wrong reasons.

Christian Thielemann and his orchestra were the stars of an excellent performance of Wagner's Der fliegende Holländer. 

A modern, simple production of Simon Boccanegra at Dresden's Semperoper, doesn’t interfere with the action.  

For any opera lover, a first visit to Bayreuth is something of a pilgrimage to the holy land. Musically, I wasn’t disappointed, as the Dutchman’s leitmotif rose softly from the invisible orchestra, soon to be enveloped by the swirling storm brewed up by Wagner and conductor Christian Thielemann.