En direct, Vidéo: Rechercher des critiques de musique classique, opéra et ballet | Kristina Mkhitaryan

Une bien belle découverte avec ce « Giasone » de Cavalli sous la baguette de Leonardo Garcia Alarcon : un casting dominé par les voix de la Medea de Kristina Hammarström  et l’Isifile de Fristina Mkhitaryan, porté par la mise en scène piquante de Serena Sinigaglia, et mis en valeur par les fastes de la Capella Mediterranea. 

Andrei Serbans Inszenierung bleibt auch nach fast 20 Jahren blass, aber Kristina Mkhitaryan und Vittorio Grigolo füllen den Abend mit Leben. 

Leif Ove Andsnes brings out the singing line of Rachmaninov's Third Piano Concerto before vocal soloists Kristina Mkhitaryan, Dmytro Popov and Kostas Smoriginas join the London Philharmonic Choir and Orchestra for The Bells. 

The Royal Opera's season opener is a welcome return for Tchaikovsky's opera after nine years, and a house debut for American director Ted Huffman.

Das Staatsopernorchester unter Asher Fisch und eine großartige Besetzungen zündeten Bizets Rhythmusfeuerwerk.

Claus Guths neue Turandot mit psychologischem Tiefgang wird bejubelt, lässt andere aber eher unbefriedigt zurück. Asmik Grigorian und Jonas Kaufmann brillieren in ihren jeweiligen Rollendebüts.

Extraordinary performances from Kristina Mkhitaryan and Aigul Akhmetshina turn Donizetti's take on Schiller into an intense psychological portrait of power struggle.

Barrie Kosky holt an der Dutch National Opera Puccinis unvollendete Oper ins Hier und Jetzt.

Robert Carsen's riotous production of Rinaldo returns to the Sussex Downs, a schoolboy fantasy colliding crusading knights with St Trinian's bad girls. 

All three operas in Puccini's triptych are strongly cast in this revival. 

Nicola Raab puts Byron at the heart of Il corsaro in her new production for the Palau de les Arts, but doesn’t always know what to do with him.

Interesting ideas and a brilliant orchestral performance aren't enough to overcome a visually dull staging, predictable choreography and a lack of chemistry between the protagonists.

Cappella Mediterranea blows life into Eliogabalo’s dark carnival as imagined by Thomas Jolly.

Tom Cairns' production feels empty and distracted, but Kristina Mkhitaryan was a sensational Violetta, strongly reinforced by an impressive Germont from Igor Golovatenko.