En direct, Vidéo: Rechercher des critiques de musique classique, opéra et ballet | Joshua Guerrero

Ce trittico fera date, grâce à un travail d’équipe exceptionnel d’où se distinguent notamment Christof Loy, Carlo Rizzi et l’incroyable Asmik Grigorian dans les trois rôles féminins de l’ouvrage.

La mise en scène de Claus Guth laisse encore une fois sceptique voire irrite, tandis que la direction musicale de Michele Mariotti déçoit. Aylin Pérez compose en revanche une Mimi touchante.

Dans une mise en scène épurée, Asmik Grigorian est la grande triomphatrice de la production ; sous la direction de Franz Welser-Möst, les Wiener Philharmoniker sont au meilleur de leur forme.

Kirill Serebrennikovs Inszenierung sorgt vor einen zweigeteilten Abend – mit herausragenden Gesangsleistungen.

Die Wiener Staatsoper würdigt Puccinis hundertsten Todestag mit einer Wiederaufnahme in der traumhaft ästhetischen Inszenierung von Anthony Minghella.

Kirill Serebrennikov versucht mit seiner vielschichtigen Inszenierung von Verdis Don Carlo ein Monument für das Regietheater zu errichten – und scheitert.

Barrie Kosky brings his trio of Puccini productions to a close with another triptych: Il trittico in a triumphant staging. 

With the help of excellent singing and acting performances from a cast led by Asmik Grigorian and Joshua Guerrero, Puccini’s tale of abandonment hits home.

Ein emotionaler Abend angeführt von Elena Stikhina und Philippe Jordan am Pult des Staatsopernorchesters, an dem kein Auge trocken bleibt.

The first premiere of the new Staatsoper season is a qualified success, led by Eleanora Buratto's superb Suor Angelica and Ambrogio Maestri's masterly Gianni Schicchi in Puccini's triptych of one-act operas. 

A mixed bag of performances at Covent Garden, but with an outstanding Butterfly who brings ample rewards to an evening where the emotional temperature eventually soars.    

Barrie Kosky's psychological thriller approach to Tosca at Dutch National Opera benefits greatly from the strong performances of its three principals.

A uniformly excellent ensemble enlivens the Royal Opera House's latest Bohème revival.

Alex Ollé transportiert Puccinis unsterbliche Liebesgeschichte mit einer modernen und packenden Inszenierung in das 21. Jahrhundert.

The COC's revival production of Puccini's La bohème is an enjoyable trip to the opera but it won't blow your socks off.

A strong new Traviata from Washington National Opera with the welcome house debut of Venera Gimadieva as a fabulous Violetta.

After dipping its toe in the cherry blossom for Glyndebourne's Tour in 2016, Annilese Miskimmon's staging of Puccini's gut-wrencher hits the main festival.

Jonathan Miller's production remains a work of brilliance, but poor conducting amongst other things keeps this revival from getting off the ground.

Santa Fe Opera presented Gounod’s Roméo et Juliette in Stephen Lawless’ mid 19th-century staging, a co-production with Barcelona's Liceu. Before the overture, General Director Charles MacKay came onstage to announce that Stephen Costello was ill and would be replaced by Joshua Guerrero, a graduate of the Los Angeles Opera Young Artist Program.

American composer Jake Heggie makes his Los Angeles Opera debut in this powerful performance of his 2010 opera, Moby-Dick.

Gustavo Dudamel conducts the Los Angeles Philharmonic and Simón Bolívar Symphony Orchestra in an "Immortal Beethoven" performance of Beethoven's Ninth Symphony.

A triumph for Los Angeles Opera's new production of John Corigliano's The Ghosts of Versailles.