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Santa Fe Opera stages an updated Roméo et Juliette

Par Maria Nockin, 31 juillet 2016
Chargement en cours, veuillez patienter...
Voir le listing complet
Critique faite à Santa Fe Opera, Santa Fe, le 29 juillet 2016
Programme
Gounod, Roméo et Juliette
Artistes
Santa Fe Opera
Harry Bicket, Direction
Stephen Lawless, Mise en scène
Ashley Martin-Davis, Décors, Costumes
Joshua Guerrero, Roméo
Ailyn Pérez, Juliette
Emily Fons, Stéphano
Elliot Madore, Mercutio
Raymond Aceto, Frère Laurent
Timothy Mix, Le comte Capulet
Deborah Nansteel, Gertrude, nourrice de Juliette
Soloman Howard, Le duc de Vérone
Peter Scott Drackley, Benvolio, ami de Roméo
Thaddeus Ennen, Le comte Pâris
Nicholas Davis, Grégorio
Cooper Nolan, Tybalt
Voir plus de critiques Opéra
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****1
Bewitched, bothered, and bewildered
Thomas May, 29th July
David Alden's staging of Alcina mines the rich theatricality of one of Handel's best-loved operas with enchanting but also perplexing results. 
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Steve Jobs scores a success in Santa Fe
Ilana Walder-Biesanz, 22nd July
Mason Bates's much-hyped first opera, The (R)evolution of Steve Jobs, excited Santa Fe audiences despite its dramatic shortcomings.
***11
Brenda Rae carries Santa Fe Opera's Lucia
Ilana Walder-Biesanz, 21st July
Static blocking and an uneven cast can't kill a Lucia di Lammermoor with a star this bright.
***11
The Golden Cockerel soars in Santa Fe
Ilana Walder-Biesanz, 19th July
Santa Fe Opera's colorful and beautifully sung The Golden Cockerel makes a case for more Rimsky-Korsakov opera in the repertoire.
****1
Majeski stars in a superb Santa Fe Capriccio
Maria Nockin, 5th August
Maestro Leo Hussain’s translucent rendition of the score made Capriccio the crowning glory of the Santa Fe Opera Season.  
*****
Plus de critiques...
Lire critiques de
Ailyn PérezAshley Martin-DavisCharles GounodDeborah NansteelElliot MadoreEmily FonsHarry BicketJoshua GuerreroRaymond AcetoRoméo et JulietteSanta Fe OperaSoloman HowardStephen CostelloStephen LawlessTimothy Mix
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Maria Nockin
Maria Nockin
Originally from New York City, Maria Nockin began attending opera and concerts as a child when her parents could not find a babysitter. She has studied violin, piano and guitar as well as voice, and she has a master’s degree in education from Fordham University. Having spent many years teaching high school in winter and working at the Salzburg Festival in summer, she now lives in the Southwest where she covers classical music for Opera Today, Bachtrack, Fanfare, and Classical Singer as well as publications in Spanish, Dutch, and Italian.