Rechercher des critiques de musique classique, opéra et ballet | Christopher Franklin

Après dix ans d’absence, La Somnanbula de Bellini, opéra composé en 1830 et surfant sur la vague du romantisme et des sciences occultes, est enfin reprise au Théâtre des Champs-Élysées avec un distribution dominée par Sabine Devieilhe, touchante et sublime Amina.

La Orquestra de la Comunitat Valenciana llenó el Palau de les Arts de sonidos del otro lado del Atlántico con obras de Bernstein y Copland.

I puritani returns to Barcelona’s Liceu with Annilese Miskimmon’s production. Javier Camerena and Pretty Yende lead the inauguration of the season with a fine example of romantic bel canto.

In a highly effective stage presentation, the Minnesota Opera tells Jules Massenet’s story of two personalities whose spiritual journeys are like two ships passing in the night.

Peter Grimes vuelve a los escenarios, magníficamente encarnado por Gregory Kunde en la clásica producción de Willy Decker.

In Livermore's staging the scheme becomes meta-cinematographic: the poet Prosdocimus here has Marcello Mastroianni's features in Fellini's film 8 ½.

Flórez's recital showed exactly why singers should steer clear of technological assistance. 

To open its 2015-16 season, Bergamo's Teatro Donizetti sourced a youthful, upbeat cast and fresh production for an enthusiastic Don Pasquale.

A nimble, cheerful performance of Donizetti's dramma buffo in Naples, both by individuals and ensemble. 

In a somewhat long-overdue debut at the Concertgebouw, bel canto royalty Juan Diego Flórez and rising star Pretty Yende wowed the Amsterdam public with a generous programme of bel canto music.