En direct, Vidéo: Rechercher des critiques de musique classique, opéra et ballet | Cincinnati Symphony Orchestra

Dernière étape de leur tournée européenne, le Cincinnati Symphony Orchestra et son directeur musical Louis Langrée se produisaient à la Seine musicale. La bannière étoilée ne flottait pas sur l’île Seguin, mais c’était tout comme : le programme mettait exclusivement à l’honneur les musiques du « Nouveau Monde ».

The Cincinnati Symphony vividly brings to life sprawling vistas of the American West in a stellar performance of Messiaen’s vast Des Canyons aux étoiles…

The May Festival pulls all the stops to close their sesquicentennial season with Mahler’s vast and triumphant Eighth Symphony.

The Cincinnati May Festival pairs a deeply-felt Mozart Requiem with a new work for chorus and orchestra by Julia Adolphe.

The Cincinnati Symphony thoughtfully illuminates a diverse cross-section of 20th-century repertoire with conductor Michael Francis and pianist Behzod Abduraimov.

Conductor Matthias Pintscher and soloists Michelle DeYoung and Sean Panikker offered a moving but uneven interpretation of Das Lied von der Erde.

The CSO packed much excitement into an hour-long program, featuring folk-inspired works of Walker and Kodály, along with the irresistible charm of Shostakovich’s Second Piano Concerto.

Music Director Louis Langrée leads a program of Schubert, Julia Perry's Homunculus CF and Anthony Davis's You Have the Right to Remain Silent, featuring Anthony McGill as an outstanding clarinet soloist.

Classic works by Barber and Copland were performed alongside a contemporary composition that puts itself in conversation with the National Anthem.

The Cincinnati Opera presented Another Brick in the Wall, an opera by Julien Bilodeau based on the seminal Pink Floyd album The Wall. While an ambitious undertaking, the results were ultimately mixed.

This was the first visit of Cincinnati Symphony Orchestra to the Proms and in their native repetoire of Bernstein and Copland they had substantial success.

After an exhausting multiple rehearsal week the Cincinnati Symphony Orchestra kicked off its current season with a rousing reading of Beethoven’s Fidelio Overture.