From funeral rites to firebird: Măcelaru and the Cincinnati Symphony

The Firebird at Music Hall, Cincinnati

Cristian Măcelaru

Par Sam Jacobson, 27 avril 2026

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“the visually striking production made for a colorful confluence of cultures”

Critique faite à Music Hall, Cincinnati, le 24 avril 2026

Mahler, Totenfeier

Stravinsky, L'Oiseau de feu

Janni Younge, Mise en scène

Cristian Măcelaru, Direction

Cincinnati Symphony Orchestra

Le rêve américain de Louis Langrée à la Seine musicale

Tristan Labouret, 9th September

Dernière étape de leur tournée européenne, le Cincinnati Symphony Orchestra et son directeur musical Louis Langrée se produisaient à la Seine musicale. La bannière étoilée ne flottait pas sur l’île Seguin, mais c’était tout comme : le programme mettait exclusivement à l’honneur les musiques du « Nouveau Monde ».

*****

Red rocks, interstellar calls, exotic birds... in Cincinnati

Sam Jacobson, 1st March

The Cincinnati Symphony vividly brings to life sprawling vistas of the American West in a stellar performance of Messiaen’s vast Des Canyons aux étoiles…

****1

Cincinnati May Festival closes 150th season with a glorious Mahler 8

Sam Jacobson, 27th May

The May Festival pulls all the stops to close their sesquicentennial season with Mahler’s vast and triumphant Eighth Symphony.

****1

Requiem, eternal light and hummingbirds at Cincinnati May Festival

Sam Jacobson, 25th May

The Cincinnati May Festival pairs a deeply-felt Mozart Requiem with a new work for chorus and orchestra by Julia Adolphe.

****1

Remarkable survey of 20th-century works by the Cincinnati Symphony

Sam Jacobson, 29th October

The Cincinnati Symphony thoughtfully illuminates a diverse cross-section of 20th-century repertoire with conductor Michael Francis and pianist Behzod Abduraimov.

****1

Death and renewal: Mahler in Cincinnati

Cameron Kelsall, 27th March

Conductor Matthias Pintscher and soloists Michelle DeYoung and Sean Panikker offered a moving but uneven interpretation of Das Lied von der Erde.

***11

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Sam Jacobson

Sam Jacobson has been writing for Bachtrack since 2015 and is currently in Pittsburgh, having previously lived throughout the Midwest. A keen traveler, he endeavors to see all the great orchestras and opera houses across the US and abroad. Outside of music, he works as a software engineer. He also maintains a blog which can be read here.

From funeral rites to firebird: vivid storytelling from Măcelaru and the Cincinnati Symphony