En direct, Vidéo: Rechercher des critiques de musique classique, opéra et ballet | Gabrielle Dalton

La mise en scène de Bruno Ravella comme la direction musicale de Laurent Campellone et la distribution ne parviennent à saisir que de manière intermittent le ton singulier de l'ouvrage de Massenet.

Si la direction musicale de Paolo Carignani, l'orchestre et les chœurs impressionnent, l'ensemble de la production est plombé par une mise en scène caricaturale, tandis que la distribution laisse une impression mitigée.

La nouvelle production de l’Opéra National de Lorraine à Nancy transforme Pâris en James Bond, non sans succès.

A memorable performance, with Stephen Barlow conducting Janáček’s remarkable score with vividness and clarity, while David Alden's staging is a masterpiece of "less is more". 

Opera North's revives its Cavalleria rusticana production by Karolina Sofulak, pairing it this time with Rachmaninov's early opera Aleko. 

James Hurley directs a new production of Puccini's neglected opera to close Opera North's Green Season. 

Upcycled and recycled, a green production of Verdi's final opera is directed by Olivia Fuchs. 

John Doyle's emotional staging of Werther gets to the heart of Massenet's engagement with Goethe in memorable performances.      

Charles Edwards' ambitious production is well served by a strong cast as Grange Park Opera opens its season in the Theatre in the Woods. 

English National Opera's It’s a Wonderful Life makes for a feel-good evening of theatre, but it requires a sweet tooth.

Gwyn Hughes Jones, Elizabeth Llewellyn and Sir Simon Keenlyside star in David Alden's setting of Otello in a militarised Cyprus.

Opera North's revival of Mozart's The Marriage of Figaro directed by Jo Davies and conducted by Antony Hermus at Leeds Grand Theatre is still full of comic exuberance.

Virginie Verrez acted not with fire and ice but with gallic insouciance.

Verdi's most political of operas brilliantly highlights the juxtaposition of personal desires and political imperatives

Carlos Álvarez und Simon Keenlyside sind ein Duo Infernale: wer Falstaff mag, wird nicht so schnell einen besseren erleben.

Opera North's Little Greats festival continues with two deeply contrasting short operas - a grimly tragic and austere version of Macagni's Cavalleria rusticana and a frothy and hilarious production of Gilbert and Sullivan's Trial by Jury.

Charles Edwards and Annabel Arden direct Leoncavallo's Pagliacci and Ravel's L'Enfant et les sortilèges in a contrasting pairing of two short operas in Opera North's 'Little Greats' season.

Director Jo Davies' staging of Mozart’s dramma giocoso for Nederlandse Reisopera is a high-spirited  affair packed with humour, where the emphasis is decidedly more on giocoso than on the dramma.

La Cenerentola is the final component of Opera North's fairytale season, with every voice and every character getting a chance to revel in Rossini's intricate ornamentation.

The Staatsoper's new Falstaff is a production that is attractive not only visually, but also in terms of the varied musical color.

Strong vocal and orchestral performances and a tour-de-force staging of Act II light up Grange Park's production of Verdi's political thriller of the dark days of the Spanish inquisition.

Anthony McDonald’s Rusalka looks and sounds wonderful in a traditionally told production, with Anne Sophie Duprels returning to the role.

A gleeful production of The Marriage of Figaro from Opera North, which makes it hard to imagine any dark side at all to the comedy.