En direct, Vidéo: Rechercher des critiques de musique classique, opéra et ballet | Jeremy Budd

Porté ici par un Gabrieli Consort en bonne forme, quoiqu’un peu contenu par la direction de Paul McCreesh, et des solistes tout à fait convaincants, King Arthur rappelle ici ses grandes qualités musicales

Paul McCreesh fand mit seinem Ensemble eine herzerwärmende Mischung universell wohltuender Festlichkeit.

Beinahe war dieser King Arthur so rund und erhaben schön, dass die fünf Akte auch zu fünf Sternen geführt hätten.

A performance of Handel's oratorio Israel in Egypt performed by the Orchestra and Choir of the Age of the Enlightenment with William Christie conducting.

6 aus 6: Alle Kantaten überzeugen jeweils mit Betonung der instrumentalen Besonderheit, Strenge, Frische, schreitendem Atem, Klarheit und Festlichkeit.

Gabrieli Consort & Players zelebrieren Händels Musik vorzüglich.

Engaging, passionate and life-afirming: Harry Christophers' group The Sixteen give a memorable rendition of Monteverdi's Vespers 1610

In performing the Vespers in the acoustically wonderful Milton Court, Jeffrey Skidmore took the imaginative decision to interleaving its movements with solo piano works, played by Steven Osborne. It proved inspirational programming.

Celebrating 20 years as Artistic Director of Birmingham Royal Ballet, David Bintley brings the company to London, where Balanchine’s Serenade acts as a delicate sorbet before the excesses of Bintley’s own Carmina burana.  

The Sixteen's tour of Monteverdi's Vespers nears completion with an absorbing rendition at Guildford Cathedral. 

Bach's St John Passion thrills the audience at Valletta International Baroque Festival. 

Any venue, cathedral or concert hall, that advertises a Good Friday performance of J.S. Bach’s epic St Matthew Passion is likely to sell out; even Birmingham’s vast Symphony Hall is no exception, today being full to bursting with eager parishioners making their annual pilgrimage to wallow in Bach’s all-consuming musical ministry.