En direct, Vidéo: Rechercher des critiques de musique classique, opéra et ballet | Jessica Cale

Voici 11 des 11 critiques

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Monteverdi and Ulisse return happily to Garsington Opera

Par David Karlin, 12 juin 2026

Laurence Cummings and John Caird’s second Garsington exploration of the operas of Monteverdi brims with wonderfully playing and singing in an attractive setting.

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High Wycombe

12 juin 2026

Monteverdi and Ulisse return happily to Garsington Opera

Par David Karlin

Glyndebourne

The Railway Children becomes a pacy action thriller in Turnage’s hands at Glyndebourne

Par Nick Boston, 30 octobre 2025

Mark-Anthony Turnage and Rachael Hewer update Edith Nesbit’s children's novel as a spy action thriller, with an exciting score and a strong cast of singers.

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Glyndebourne

30 oct. 2025

The Railway Children becomes a pacy action thriller at Glyndebourne

Par Nick Boston

Brenton Spiteri (Tebaldo) and Samantha Price (Romeo) © Richard Hubert Smith

Londres

Blissful and hard-boiled: I Capuleti e i Montecchi at English Touring Opera

Par David Karlin, 22 février 2025

Eloise Lally shifts the Romeo and Juliet love story into New York mafia families. Jessica Cale and Samantha Price provide blissful bel canto as the star-crossed lovers.

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Londres

22 févr. 2025

Blissful and hard-boiled: I Capuleti e i Montecchi at ETO

Par David Karlin

Masaaki Suzuki and the Orchestra of the Age of Enlightenment © Mark Allan

Londres

Glad tidings: Bach's Christmas Oratorio from the OAE

Par Roy Westbrook, 03 décembre 2023

Masaaki Suzuki leads the Choir and Orchestra of the Age of Enlightenment through Bach's Christmas Oratorio across two evenings at the Southbank Centre.

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Londres

03 déc. 2023

Glad tidings: Bach's Christmas Oratorio from the OAE

Par Roy Westbrook

Jessica Cale, Keith Pun, Sandeep Gurrapadi, Zahid Siddiqui, Amy J Payne © Richard Hubert Smith

Snape

Vivid Monteverdi: The Coronation of Poppea from English Touring Opera

Par Mark Valencia, 27 octobre 2023

Harmonious images and geometric designs frame an effective staging and well sung performance of Monteverdi's last opera.

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Snape

27 oct. 2023

Vivid Monteverdi: The Coronation of Poppea from ETO

Par Mark Valencia

Maxim Emelyanychev conducts the Scottish Chamber Orchestra © Ryan Buchanan

Perth

Sunny and enchanting Mendelssohn from Maxim Emelyanychev and the SCO

Par David Smythe, 01 mars 2023

Mendelssohn’s Italian Symphony and his incidental music to A Midsummer Night’s Dream are performed at Perth Concert Hall.

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Perth

01 mars 2023

Sunny and enchanting Mendelssohn from Maxim Emelyanychev and the SCO

Par David Smythe

Venise

Full fathom five: Peter Grimes receives its first ever staging at La Fenice

Par Elena Luporini, 24 juin 2022

Finally reaching the stage of the Venetian theatre, Benjamin Britten's first major opera meets with success thanks to Juraj Valčuha's conducting, Paul Curran's staging and an excellent cast.

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Venise

24 juin 2022

Full fathom five: Peter Grimes at La Fenice

Par Elena Luporini

Londres

The Gospel according to St Mark: Padmore and the OAE at Battersea Arts Centre

Par Roy Westbrook, 02 avril 2021

This Evangelist had just come straight from Golgotha, where he had witnessed events so momentous he was compelled to recount them at once.

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Londres

02 avril 2021

The Gospel according to St Mark: Padmore and the OAE in Battersea

Par Roy Westbrook

Londres

Darkness and pain in Mark Padmore's St Matthew Passion

Par Benjamin Poore, 26 mars 2018

A brooding and melancholy presentation of Bach’s masterpiece from the Orchestra of the Age of Enlightenment and Mark Padmore.

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Londres

26 mars 2018

Darkness and pain in Mark Padmore's St Matthew Passion

Par Benjamin Poore

Halle

Italian class und maestà inglese: Gala-Konzert mit den Gabrielis bei den Händelfestspielen Halle

Par Jens Klier, 05 juin 2016

Gabrieli Consort & Players zelebrieren Händels Musik vorzüglich.

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Halle

05 juin 2016

Italian class und maestà inglese: die Gabrielis bei den Händelfestspielen

Par Jens Klier

Londres

The tongs and the bones: Vivid Mendelssohn from Gardiner and the LSO

Par Mark Pullinger, 16 février 2016

Shakespeare's Nick Bottom, who claimed “a reasonable good ear in music” would surely have approved of these performances at the Barbican Hall.

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Londres

16 févr. 2016

The tongs and the bones: Vivid Mendelssohn

Par Mark Pullinger