En direct, Vidéo: Rechercher des critiques de musique classique, opéra et ballet | Justin Doyle

Vivancos' Musik berührt uns ebenso direkt wie die Totenmesse von de Victoria seine Zuhörer vor 400 Jahren.

A period-perfect Albert Herring from Francis Matthews for Buxton International Festival takes time to settle into its stride, but provides plenty of laughs along the way. 

Stephanie Marshall's Romeo and Sarah-Jane Brandon's Giulietta make this production of Bellini's version of Romeo and Juliet utterly compelling.

Swanhunter is a fine retelling of a wonderful yarn, and this rendering of it contains a great deal to enjoy for an audience of all ages, albeit marred by inconsistent intelligibity.

Leeds is so lucky to have virtuoso violinist David Greed still within reach, ready and available to perform as a soloist at concerts like this with the excellent orchestra of which he was the youngest leader in the country when it was formed in 1978. It was really thrilling to experience The Lark Ascending live, and to see him standing there just a few feet in front of the audience.