En direct, Vidéo: Rechercher des critiques de musique classique, opéra et ballet | Ole Anders Tandberg

Great performances cannot rescue the Norwegian director's superficial treatment of a classic ghost story.

Ole Anders Tandberg's edgy take on Bernstein's satirical operetta is lifted by some good performances but marred by an overpowering orchestra.

In a reprise of Ole Anders Tandberg’s somewhat confused production, a solid cast performs a charming bohème, under the baton of Marco Armiliato.

The Royal Swedish Opera revives Tandberg’s 2014 production with a solid cast of Swedish singers.

The passion of Alban Berg's music under Donald Runnicles fights against a disjointed production by Ole Anders Tandberg.

Stage director Ole Anders Tandberg casts Carmen as the leader of a gang of human organ dealers.

A funny, original take on The Merry Widow at the Royal Swedish Opera in StockholmHenrik Dorsin rewrites a witty libretto for The Merry Widow to represent a fictitious financial crisis in the Kungliga Operan itself, satirizing the modern cultural scene.

A local solid cast and a lively production make for an entertaining premiere of Mozart's last masterpiece at the Royal Opera House in Stockholm.

Ole Andreas Tandberg's production of Lady Macbeth of Mtsensk gets a revival in Oslo, and proves even more chilling than the first time around.

Director Ole Anders Tandberg's production of Monteverdi's Il ritorno d'Ulisse expertly balances the line between irreverent humour and human tragedy.

Zurich’s unexpected and original twists on Giacomo Puccini’s great opera was riddled with gimmickry. 

Director Ole Anders Tandberg's new production of Shostakovich's Lady Macbeth of the Mtsensk District is gloriously sung, but the violent and vulgar production has a tendency to go overboard.

In Ole Anders Tandberg’s staging of Don Giovanni at the Swedish Royal Opera, the Don seems to prefer making love at gunpoint, or in a public lavatory under the threat of discovery.