En direct, Vidéo: Rechercher des critiques de musique classique, opéra et ballet | Rolando Villazón

Pour Noël, Cecilia Bartoli et Rolando Villazón ont entrepris une tournée européenne de neuf récitals lyriques avec l'orchestre La Scintilla, qui passait par Paris le 20 décembre. Mais si leur engagement en scène dans ces airs et duos de Mozart, Rossini, Bellini est sans faille, ces deux artistes attachants n'ont pas la même maîtrise de l'art du bel canto.

A classic opera buffa gets an update by Rolando Villazón to a produce a staging that celebrates the timeless vitality of Rossini’s comic imagination.

Rollando Villazón, Kate Lindsey und Sir Simon Keenlyside machen die aktuelle Aufführungsserie dieser exotischeren Blumen im Opernrepertoire zum Pflichttermin.

While the semi-staging falters, Hanna-Elisabeth Müller and Magdalena Kožená prove a thrilling pair in Mozart's final opera seria. 

Julie Taymor's whimsical 2004 staging of Mozart's Singspiel continues to please in the Met's condensed, English-language version.

The festival presents an illuminist take on the myth of Orpheus in a convincing concert performance of a rarely performed opera by Haydn. 

Thielemann und Tcherniakov schmieden einen neuen Ring an der Staatsoper Berlin und ernten großen Beifall.

A charming programme featuring Renaud Capuçon and Gérard Caussé in the Sinfonia Concertante in E flat major, one of Mozart’s most sublime, sun-drenched works. 

Mondän inszeniert wollte der Abend zwar nicht immer ganz abheben, besonders das Orchester begeisterte aber mit viel Italianità.

An outstanding premiere of Bohuslav Martinů's Juliette at the Schiller Theater in Berlin has a delighted public jumping to their feet with applause.

Ein arkadischer Abend im Wiener Konzerthaus mit Les Arts Florissants unter William Christie.

Die Uraufführung von Miroslav Srnkas Doppeloper South Pole bleibt trotz größtem Staraufgebot hinter den medial so breitflächig geschürten Erwartungen zurück, wird aber vom Publikum gefeiert.

At the Barbican, Cecilia Bartoli and Rolando Villazón entertained a festive audience in a concert of bel canto highlights, determined not to let a cold put a chill on the evening.

The Mozart and bel canto program that Cecilia Bartoli and Rolando Villazón have concocted for their European tour this December is so packed with greatest hits that it feels like a festive gift. 

Kasper Holten's virtuosic staging is revived by the Royal Opera with a cast of three exceptionally strong women, and accomplished performances by Christopher Maltman and Alex Esposito as the Don and his servant.

Rolando Villazon's new production of Puccini's La rondine for the Deutsche Oper Berlin charms with 1920s glamour.

This revival of Peter Mussbach's production of Macbeth is devoid of props and places the focus squarely on singers and orchestra. This challenge was splendidly met by Plácido Domingo, making a role debut as Macbeth, and Liudmyla Monastyrska.

Guth's production is beautiful to look at, but fails to bring out the best in Mozart's drama.

Rolando Villazón and kammerorchesterbasel failed to impress in a programme of Mozart's concert arias for tenor.

Il rè pastore was the last operatic work that Mozart completed before Idomeneo, and though there is a clear shift in style and level of achievement in the six years that separate them, it is very interesting to compare the 19-year-old composer to the later operatic master that we are more familiar with.

One of the questions this opera poses for any director is how to link the 'tales' of Hoffmann's three lost loves together and knit them satisfactorily into the Prologue and Epilogue.

Boy falls in love with girl. Girl marries another man. Boy kills himself. The plot of Massenet's Werther isn't exactly complex or taxing, but then, in all great stories, it's the way you tell them that counts.The story certainly worked for its author. When it was published in 1774, The Sorrows of Young Werther propelled the young Goethe to fame and caused a literary sensation.