En direct, Vidéo: Rechercher des critiques de musique classique, opéra et ballet | Three Choirs Festival Chorus

The closing concert of this year’s Three Choirs Festival in Hereford delivers a dramatic account of Mendelssohn’s Elijah, showcasing the power of bass-baritone Matthew Brook.

Though musically flawed, Samuel Coleridge-Taylor’s choral work The Atonement is given a superb performance at the Three Choirs Festival in Hereford Cathedral. 

Adrian Partington and the Philharmonia give an impersonal, soporific rendition of Elgar's The Apostles at Gloucester Cathedral. 

Elizabeth Watts gives an unforgettably powerful performance of Finzi’s Dies Natalis in an otherwise problematic concert, marred by Adrian Partington’s uncertain approach.

The Three Choirs Festival opens with a performance of Dvořák’s Requiem characterised by extremes of melancholy and hope.

Cecil Armstrong Gibbs’ largely forgotten Symphony no. 2, "Odysseus" proves exhausting, while works by Ireland and Howells tap into rich veins of mythical wistfulness and excruciating pain.

The world premiere of Gabriel Jackson’s ambitious but inert The World Imagined and a complacent Enigma Variations are outclassed by Samuel Coleridge-Taylor’s gorgeous Solemn Prelude at Worcester Cathedral.

Hereford Cathedral experiences a mix of sacred and secular explorations of melancholy and triumph, from Stravinsky, Walton, Ravel and Lili Boulanger.

Geraint Bowen directs the Three Choirs Festival Chorus and Philharmonic Orchestra at Hereford Cathedral in two works once unfairly dismissed.

A curious combination of Mozart’s “Great” Mass and Shostakovich’s Twelfth Symphony fill Worcester Cathedral with exuberance.

In a concert of two halves, Worcester Cathedral experiences unforgettable pain and pleasure in works by Strauss, Rasch and Janáček.

Peter Nardone directs the Three Choirs Festival Chorus and Philharmonia Orchestra in a problematic yet thought-provoking opening concert at Worcester Cathedral.

Adrian Partington directs a well-managed but ultimately disjointed performance of Mahler’s most idealistically challenging symphony.

Edward Gardner conducts a solemn, emotionally-charged performance of Berlioz’s radical masterpiece at Gloucester Cathedral

A report from the 2015 Three Choirs Festival, held this year in the cathedral city of Hereford. 

As the majestic horn calls echoed around the vaulted ceiling and full orchestral tuttis shook the very walls, Mahler brought the very heart of Christianity to Worcester's magnificent Cathedral in his truly remarkable “Resurrection Symphony”.

As Britain prepares to celebrate the centenary of World War One, Britten's War Requiem brings a remarkable start to the Worcester Three Choirs Festival.

Over the centuries, the Three Choirs Festival has developed a commendable trait in presenting the very best in English choral music; in more recent years the Festival has been committed to resurrecting once popular works that have been considered worthy of reassessment and, following on from last year’s performance of George Dyson’s Canterbury Pilgrims, this year the lot fell to Samuel Coleridge-T

A second scorching day in Hereford at the Three Choirs Festival concluded with another excellent concert.Before an audience that filled the cathedral to capacity, the Philharmonia Orchestra assembled on the platform and a warm welcome was given to conductor Peter Nardone.The concert opened with John Ireland’s evocative orchestral opus A London Overture.

Sir George Dyson (1883–1964) is now principally remembered by the generations of grown-up schoolchildren who sang his many songs for educational use, and more recently by church choirs and congregations for his religious music.