En direct, Vidéo: Rechercher des critiques de musique classique, opéra et ballet | Von ewiger Liebe, Op.43 no.1

Remplaçant Rachel Harnisch souffrante, Nikola Hillebrand livre un récital brahmsien très convaincant au Festival de Pâques en compagnie de Marina Viotti et Jan Schultsz.

Un dimanche matin au Théâtre des Champs-Élysées et un concert d'anthologie, porté par l'alto de Lise Berthaud, le piano d'Adam Laloum, la voix de Lucile Richardot, le violon de Pierre Fouchenneret...

The pleasure of Gerhaher’s comforting persona and his instinctive convergence with Huber’s pianism won over the Wigmore Hall audience – as they invariably do.

Poise, control, stillness. Within two minutes of her Wigmore Hall debut, the qualities that make Elīna Garanča a consummate Lieder recitalist were evident.

If ever there were a voice that required the big hall of the Musikverein, it would be that of Nina Stemme. 

Elina Garanča was alluring in a lovely recital of Brahms, Duparc and Rachmaninov with pianist Malcolm Martineau. 

In her opening words to this evening’s presentation of Kathleen Ferrier’s life and letters, Diana Moore said that Ferrier was an inspiration to every mezzo-soprano or alto who came after her, and despite its flaws, this concert was clearly a heartfelt tribute to a truly great singer, by one who has learned from her.