En direct, Vidéo: Rechercher des critiques de musique classique, opéra et ballet | Symphonie no. 1 en si bémol mineur

Dimanche 5 juillet au Barbican, le London Symphony Orchestra rejoint par des élèves de la Guildhall School et de nombreux choristes amateurs présentait "The Monster in the Maze" de Jonathan Dove, un opéra très enthousiasmant dirigé par Sir Simon Rattle, suivi par une symphonie de Walton elle aussi exaltante.

Peter Lieberson's Neruda Songs with the mezzo-soprano Joyce DiDonato teem with subtle brilliances. 

Doom – both personal and cosmic – and its aftermath are the focus of Alpesh Chauhan’s Hallé concert at Sheffield’s City Hall.

The BSO play a trio of 20th-century greats — Ravel and Shostakovich both taking inspiration from the age of jazz, while Walton’s First Symphony provides contrast. 

Catherine Larsen-Maguire dirigió la OSG con Philippe Quint en el Concierto de Wallen y la Sinfonía núm. 1 de Walton. 

Pianist and conductor seemed to present conflicting ideas in Rachmaninov's Second Piano Concerto, but the LSO shone in a performance of William Walton's Symphony no. 1.

The CBSO and Kazuki Yamada, with cellist Sheku Kanneh-Mason, get their new season up and running with an evening of ebullience, pain and, ultimately, happiness. 

Vasily Petrenko continues his ‘Great British Music’ series with the Royal Philharmonic Orchestra, but with an aptly programmed Russian concerto. 

Litton’s experienced hands reveal deep understandings of Copland, Barber and Walton, delivering a programme of stark emotional contrasts.

Effort and emotion collide at Gloucester Cathedral in music by Stravinsky, Berlioz and Walton

Walton’s First Symphony from 1935 rounded off the evening in a blaze of brassy glory. Petrenko approached the work in a full-blooded fashion, which didn’t always hit the mark, but was ultimately thrilling.

The BSO deliver a malevolent Walton Symphony no. 1 and a joyous Elgar In the South. Meanwhile, Trpčeski provides lovely moments in Tchaikovsky's Piano Concerto no. 1. 

The RPO were on ripe form in works that still need such fine advocacy, and which deserved a much larger audience.

Breaking up is hard to do. If his First Symphony is anything to go by, William Walton took it particularly badly.

La Primera Sinfonía de William Walton encontró en la Sinfónica de Galicia y Rumon Gamba unos traductores de primerísima fila

Alexander Melnikov astonishes in Beethoven's 'Emperor' Concerto. 

Soloist Barnabas Kelemen impresses in Szymanowski's Violin Concerto no. 2, while conductor Alexander Shelley impresses with a chirpy Classical Symphony and a brooding Walton First Symphony.

The Hallé under Markus Stenz were on fine form in a rarity, a world première and an infrequently performed symphony.

What an auspicious first outing for Andrew Manze with the LPO, concluding with a definitive account of Walton's First Symphony. 

  Last-minute Beamish replacement is a treat alongside accomplished Gurney and Walton.

There was a collaborative spirit underlying this performance with the London Symphony Orchestra and Antonio Pappano, joined for a brilliant Brahms concerto by Janine Jansen. Walton's First Symphony and a Peter Maxwell Davies fanfare also marvelled.

In the second week of their 2013/14 season, the Toronto Symphony Orchestra, under the direction of Peter Oundjian, presented three major works, beginning with two which were definitely not the same-old, same-old repertoire. The event positioned two English pieces as a stark contrast to the Russian one in the second half.Benjamin Britten never completed his clarinet concerto.

A concert entitled “Askenazy’s Favourites” is always going to be intriguing, but perhaps more intriguing are his choices. If asked to pick what symphony Ashkenazy would choose to go in this concert, I would have thought that most people would have chosen a large-scale Romantic symphony, maybe Brahms, Rachmaninov or Mahler.