En direct, Vidéo: Rechercher des critiques de musique classique, opéra et ballet | Valse no. 7 en ut dièse mineur, Op.64 no. 2

Le festival « Les Coups de Cœur à Chantilly » du pianiste Iddo Bar-Shaï célèbre les 80 ans de la célèbre pianiste, avec Evgeny Kissin et Maxim Vengerov en guest stars.

Pavel Kolesnikov, auréolé d'un Diapason d'or de l'année, donnait un récital de piano dans le cadre du Festival du Vexin, où il revenait pour la cinquième fois.

Anchored by the piano music of Shostakovich, Evgeny Kissin’s Cleveland recital also explores works of Bach and Chopin. 

Evgeny Kissin delights an overwhelmingly enthusiastic San Francisco audience with Chopin and Shostakovich, but his Bach is less convincing. 

It was clear that there is much more to Lane’s conception of these works than mere surface beauty. 

Rafał Blechacz returned to the Concertgebouw to perform Chopin’s Second Piano Concerto with the Orchestre Philharmonique de Monte-Carlo.

Rachmaninov's anniversary as celebrated by the Singapore Symphony proves a case of better late than never. 

ProMusica Chamber Orchestra joins forces with Garrick Ohlsson in a Beethoven concerto. Less familiar scores from Schubert and Julia Perry round off the program.

Once decried as “dangerously introspective”, Schubert's Piano Sonata D.959 is now seen as one of his masterpieces. Eric Lu shows how he is completely on the composer's wavelength in this compelling performance.

The Singapore International Piano Festival returns with an impressive show of keyboard mastery by the Argentinian pianist.

In a wide-ranging recital program, Sergei Babayan champions repertoire from Bach to the late 20th century.

Sergei Babayan sucht das Verborgende und begeistert mit einem kreativen Programm des Münchner Publikum.

A truly remarkable display from a musical giant as Yuja Wang wows the Barbican. 

Russian pianist Pavel Kolesnikov gave a refined and intimate performance of works by Fryderyk Chopin in the penultimate Chamber Prom of the 2017 season.

There is something eminently civilized about dropping into London’s Wigmore Hall for a lunchtime concert. Escaping the noisy, jostling crowds of Oxford Street, one can slip into a plushy seat and enjoy an hour of quality chamber music.

“He looks rather Churchillian, doesn’t he?” my friend whispered as the lights dimmed, and Charles Rosen tottered on stage with the help of a walking stick, which he hooked over the edge of the piano. The comparison seemed appropriate, for Charles Rosen is truly a grand elder statesman of the piano.