Ingrid Fliter inspires awe in Singapore debut

Ingrid Fliter

Ingrid Fliter in Victoria Concert Hall

Par Chang Tou Liang, 13 juin 2022

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“applying judicious pedalling, colours and textures were vividly brought out”

Critique faite à Victoria Concert Hall, Singapore, le 11 juin 2022

Haydn, Sonate pour piano en mi mineur Hob XVI: 34

Beethoven, Sonate pour piano no. 18 en mi bémol majeur « La Chasse », Op.31 no. 3

Scarlatti, Sonate pour clavier en ut dièse mineur, K247

Schumann, Études symphoniques, Op.13

Chopin, Nocturne no. 8 en ré bémol majeur, Op.27 no. 2

Chopin, Valse no. 7 en ut dièse mineur, Op.64 no. 2

Chopin, Valse no. 6 en ré bémol majeur «Valse-minute», Op.64 no.1

Ingrid Fliter, Piano

Ingrid Fliter's Chopin impresses at the London Piano Festival

Roy Westbrook, 10th October

At Kings Place, the Argentinian pianist's Beethoven takes time to settle, but her finely balanced Chopin tells a different story.

***11

Singapore Symphony’s game of two halves

Chang Tou Liang, 25th October

Mendelssohn's A Midsummer Night's Dream and Beethoven's Third Piano Concerto make an odd couple in Singapore.

****1

RSNO's Mahler cycle continues with the Sixth

Simon Thompson, 10th May

Søndergård’s all-consuming Mahler dwarfs some delightful Mozart in Edinburgh

****1

The Mendelssohns and Dvořák with the Boston Symphony

Kevin Wells, 4th January

A rare outing for Fanny Mendelssohn's Overture in C opens the second half of the Boston season.

****1

Houston Symphony takes it slow

Sydney Boyd, 9th March

On a program with unusually slow tempos in Tchaikovsky’s Sixth Symphony and Mendelssohn’s The Hebrides, Argentine pianist Ingrid Fliter gave a cursory performance of Mendelssohn's First Piano Concerto.

**111

Living sculptures, dancing gypsies and battlefields

Mayumi Wardrop, 22nd April

An overall commendable performance dampened only by a ho-hum Beethoven.

***11

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Chang Tou Liang

Chang Tou Liang, a native of Singapore, is a family physician by profession. Actively following the classical music scene in Singapore since 1979, he has been a music reviewer of The Straits Times from 1997, contributing over 2300 articles to the national daily. He was also editor of several local musical newsletters and served as Artistic Director of the Singapore International Piano Festival from 2004 to 2008. His blog Pianomania has covered international piano competitions and musical events in four continents. He has a keen interest in travelling, street food and cat photography.

Ingrid Fliter's creative programming and beautiful tone inspires awe in Singapore debut