Brahms und Britten beim Bergen Philharmonic Orchestra

Par Michael Vieth, 14 février 2021

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“mit romantischer Wärme und süßer Wehmut”

Critique faite à Grieg Hall (Grieghallen), Bergen, le 12 février 2021

Tallis, The 3rd mode of Archbishop Parker’s Psalter (1567)

Vaughan Williams, Fantaisie sur un thème de Thomas Tallis

Britten, Les Illuminations, pour soprano ou ténor et cordes, Op.18

Brahms, Symphonie no. 4 en mi mineur, Op.98

Mari Eriksmoen, Soprano

Bergen Philharmonic Orchestra

Edward Gardner, Direction

Echo of a silent scream: Asle and Alida premieres in Bergen

Christopher Woodley, 29th March

Jon Fosse's bleak tale of alienation is graced with fine performances from a strong cast and excellent playing by the Bergen Philharmonic Orchestra under Johannes Gustavsson.

***11

Rachmaninov to remember from the Bergen Philharmonic in Antwerp

Marc Haegeman, 16th February

Víkingur Ólafsson's appearance may have been most anticipated, but it is Rachmaninov's Symphonic Dances that impresses most as the Bergen Philharmonic Orchestra and Edward Gardner make a welcome return to Antwerp.

***11

Salome stoked to red heat by Byström and the Bergen Philharmonic

David Smythe, 14th August

Returning to the Edinburgh International Festival after their astonishing Peter Grimes, the Bergen Philharmonic and Edward Gardner bring another opera, Richard Strauss' murderous Salome.

*****

Edward Gardner conducts a sharp La clemenza di Tito live from Bergen

Mark Valencia, 15th March

Mary Miller bows out after ten years at the helm of Bergen National Opera with a defiant account of Mozart’s final opera.

****1

Together at last: Víkingur Ólafsson finally plays Grieg in Bergen

Mark Pullinger, 5th February

The finale of the Icelandic pianist's five-concert residency in the Bergen Philharmonic's Wintermezzo festival saw him play Grieg's Piano Concerto in A minor... this time in the same hall as the orchestra!

****1

Bergen Philharmonic’s Close up – at a distance ends on an upbeat note

David Smythe, 26th June

Christian Ihle Hadland’s piano sparkled in Ravel sandwiched by lively and joyful Rameau and Mozart.

****1

Plus de critiques...

Michael Vieth

Michael Vieth ist Physiker und hat viele Jahre in der Zentralen Forschung der Siemens AG in Erlangen und München an magnetischen Speichern und Sensoren gearbeitet. Auch von klassischer Musik magnetisiert, singt er seit seinem Studium in Göttingen in großen Kantoreien und Chorprojekten; eine besondere Vorliebe hat sich zu Motetten der Renaissance und der Moderne entwickelt. Daneben faszinieren ihn Auftritte und Programme kleiner Vokal-Ensembles.

Holzschnitt und feines Gespinst: Brahms und Britten beim Bergen Philharmonic Orchestra