Eine Ode an das unergründliche Universum von Morton Feldman

Par Michael Klier, 11 janvier 2021

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“das musikalische Material wurde Ton für Ton ausgekostet”

Critique faite à Wigmore Hall, Londres, le 9 janvier 2021

Feldman, Last Pieces

Feldman, For Aaron Copland

Feldman, Vertical Thoughts 4

Feldman, Projection 1

Feldman, Extensions 3

Feldman, Durations 4

Feldman, Intersection III

Feldman, Extension 1, for violin and piano

Feldman, Intermission VI

Feldman, The King of Denmark

Feldman, Piano and String Quartet

Feldman, Palais de mari

Feldman, Four Instruments

Feldman, Two Instruments

Feldman, The O'Hara Songs

Feldman, Durations II

Feldman, For Franz Kline, for horn, chimes, violin, cello and piano

Morgan Pearse, Baryton

Apartment House

Josephine Stephenson, Soprano

Apartment House’s day of delight, insight and excellence

Christopher Woodley, 13th April

At Wigmore Hall, Apartment House entertains and delights in a day of concerts, while Elaine Mitchener finds her voice in impressive style.

****1

Apartment House debut at Wigmore Hall

Paul Kilbey, 4th January

Apartment House's debut at Wigmore Hall was impeccably programmed, presenting a varied selection of experimental music from the last few decades.

****1

Spectacular Feldman with Apartment House at The Rest is Noise

Penny Homer, 8th November

“Take an object. Do something to it. Do something else to it. Do something else to it”. These are Morton Feldman’s own words on his Patterns in a Chromatic Field. And they are a concise and accurate description of what occurs during the piece. Patterns... is one of Feldman’s later works, composed in 1981.

*****

Listen closely: Quiet music with Apartment House at Kings Place

Paul Kilbey, 22nd September

There’s something strange about applauding at the end of very quiet music: it is counterintuitive to make more noise clapping than the performers made during the actual performance. But the appreciative Kings Place crowd in Hall Two knew the drill, and this concert of “Some Recent Silences”, as it was billed, proved justly popular.

****1

Born to sing Lucia: Jennifer France shines at Opera Holland Park

Mark Valencia, 18th July

Cecilia Stinton’s new production of Lucia di Lammermoor doesn't necessarily make best use of OHP’s performance space, but the singers excel.

***11

State Opera South Australia enliven Lucia di Lammermoor

Sandra Bowdler, 16th November

A hoary old production of an operatic warhorse is brought to quite energetic life by a sparkling cast and excellent musical and dramatic performance.

***11

Plus de critiques...

Michael Klier

Michael Klier macht schon seit mehr als einem halben Jahrhundert Musik. Als gebürtiger Berliner kam er 1993 nach Amsterdam. Er war Mitglied unterschiedlichster internationaler Ensembles und Orchester. Heute betreibt er eine florierende Unterrichts- und Coachingpraxis. Als Teamcoach bietet er dort Schulungen an, in denen die Kursteilnehmer miteinander komponieren, um so ihre ungenutzten kreativen Potentiale zu entdecken und besser miteinander zu kommunizieren. Denn: Musiker sind die Architekten des Himmels.

Eine Ode an das unergründliche Universum des Komponisten Morton Feldman