| Verdi, Giuseppe (1813-1901) | Aida | Livret de Antonio Ghislanzoni |
| Gran Teatre del Liceu | |||
| Gustavo Gimeno | Direction | ||
| Thomas Guthrie | Mise en scène | ||
| Mestres Cabanes | Décors | ||
| Franca Squarciapino | Costumes | ||
| Angelo Smimmo | Chorégraphie | ||
| Orquesta Sinfónica del Gran Teatre del Liceu | |||
| Coro del Gran Teatre del Liceu | |||
| Clémentine Margaine | Mezzo-soprano | Amneris | 2020 janv. 13, 16, 19, 22, 27, 30, févr. 01 |
| Judit Kutasi | Mezzo-soprano | Amneris | 2020 janv. 14, 17, 20, 23, 28, 31, févr. 02 |
| Angela Meade | Soprano | Aida | 2020 janv. 13, 16, 19, 22, 27, 30, févr. 01 |
| Anna Pirozzi | Soprano | Aida | 2020 janv. 14, 17, 20, 23, 28, 31, févr. 02 |
| Yonghoon Lee | Ténor | Radamès | 2020 janv. 13, 16, 19, 22, 27, 30, févr. 01 |
| Luciano Ganci | Ténor | Radamès | 2020 janv. 14, 17, 20, 23, 28, 31, févr. 02 |
| Franco Vassallo | Baryton | Amonasro | 2020 janv. 13, 16, 19, 22, 27, 30, févr. 01 |
| Ángel Ódena | Baryton | Amonasro | 2020 janv. 14, 17, 20, 23, 28, 31, févr. 02 |
| Berna Perles | Soprano | Priestess | |
| Josep Fadó | Ténor | A messenger |
The historic production with sets by Mestres Cabanes, returns to the Liceu with Pirozzi, Margaine and Meade.
Aida as our parents, grandparents and great-grandparents saw it, set against the hyper-realist scenery designed in 1945 by the Catalan artist from Manresa, Josep Mestres Cabanes. This splendid creation of the great Catalan school of set design emphasizes the grandeur – and also the intimacy – of Verdi's third-before-last opera, remaining true to the historicist tradition without ever lapsing into kitsch.
In his tensely dramatic Aida, the 58-year-old Verdi displays his colossal strength and musical and theatrical savoir-faire to relate the love triangle that causes Aida, Amneris and Radamès to pursue their passion, love and hatred to the very last consequences. The background of Ancient Egypt – the work was written to mark the opening of the Suez Canal – provides the excuse for the grandiose choral and symphonic scenes, which alternate with exquisite arias throughout the extensive score.
The Liceu debut of American soprano Angela Meade.
