| Mozart, Wolfgang Amadeus (1756-1791) | La clemenza di Tito (La Clémence de Titus) | Livret de Pietro Metastasio |
| Gran Teatre del Liceu | |||
| Philippe Auguin | Direction | ||
| Sir David McVicar | Mise en scène | ||
| Bettina Neuhaus | Décors | ||
| Jenny Tiramani | Costumes | ||
| Orquesta Sinfónica del Gran Teatre del Liceu | |||
| Coro del Gran Teatre del Liceu | |||
| Conxita Garcia | Chef de chœur | ||
| Paolo Fanale | Ténor | Tito | 2020 févr. 19, 22, 25, 27, avril 26, 28 |
| Dovlet Nurgeldiyev | Ténor | Tito | 2020 févr. 20, 23, avril 17, 29 |
| Myrtò Papatanasiu | Soprano | Vitellia | 2020 févr. 19, 22, 25 |
| Vanessa Goikoetxea | Soprano | Vitellia | 2020 févr. 20, 23, 27, avril 17, 26, 28, 29 |
| Carmela Remigio | Soprano | Vitellia | 2020 avril 26, 28 |
| Anne-Catherine Gillet | Soprano | Servilia | 2020 févr. 19, 20, 22, 23, 25, 27 |
| Sara Blanch | Soprano | Servilia | 2020 avril 17, 26, 28, 29 |
| Stéphanie d'Oustrac | Mezzo-soprano | Sesto | 2020 févr. 19, 20, 22, 23, 25, 27, avril 26, 28 |
| Maite Beaumont | Mezzo-soprano | Sesto | 2020 avril 17, 29 |
| Lidia Vinyes Curtis | Mezzo-soprano | Annio | |
| Matthieu Lécroart | Baryton-basse | Publio |
Mozart's last opera seria as interpreted by McVicar and sung by Remigio and Papatanasiu.
In 1791, while Mozart was busy on The Magic Flute, he was commissioned to write an opera for the coronation of the new King of Bohemia, Leopold II. This opera, which was premiered in Prague, was destined to be his last. In it he revisits opera seria to relate a drama set in Rome in the first century AD.
The complex relationship between Vitellia and Sesto, in which passion and hatred mingle, is part of a plot revolving around the central figure of Emperor Tito. Mozart abides by the conventions of opera seria, while breathing new life into it.
The great stage director David McVicar returns to the Liceu with a show that was first seen at the 2011 edition of the Festival of Aix-en-Provence and a cast of Mozart specialists.
