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Verdi: Il trovatoreNouvelle production

Hungarian State Opera: AuditoriumAndrássy út 22, Budapest, Central Hungary, 1061, Hongrie
Dates/horaires selon le fuseau horaire de Budapest
jeudi 06 mai 202718:00
samedi 08 mai 202718:30
mardi 11 mai 202718:30
jeudi 13 mai 202718:30
dimanche 16 mai 202711:00
mardi 18 mai 202718:30
vendredi 21 mai 202718:30
dimanche 23 mai 202711:00
Programme
Verdi, Giuseppe (1813-1901)Le TrouvèreLivret de Salvatore Cammarano
Artistes
Opéra d'État hongrois
Martin RajnaDirection
Gergely KesselyákMise en scène
Edit ZekeDécors
Rita VelichCostumes
Tamás PillingerLumières
Orchestre de l'Opéra d'État hongrois
Chœurs de l'Opéra d'État hongrois
Gábor CsikiChef de chœur
Michele KalmandyBarytonIl conte di Luna2027 mai 06, 16 mat, 18, 21, 23 mat
Simone PiazzolaBarytonIl conte di Luna2027 mai 08, 11, 13
Zsuzsanna ÁdámSopranoLeonora2027 mai 06, 16 mat, 18, 21
Csilla BorossSopranoLeonora2027 mai 08, 11, 13
Valentina PuskásSopranoLeonora2027 mai 23 mat
Erika GálMezzo-sopranoAzucena2027 mai 06, 16 mat, 18, 21, 23 mat
Anita RachvelishviliMezzo-sopranoAzucena2027 mai 08, 11, 13
Boldizsár LászlóTénorManrico2027 mai 06, 13, 16 mat, 18, 23 mat
Yusif EyvazovTénorManrico2027 mai 08, 11, 21
András PalerdiBasseFerrando
Melinda HeiterMezzo-sopranoInes
Artúr SzeleczkiTénorRuiz

Giuseppe Verdi’s opera Il trovatore, one of his most successful works, was inspired by El trovador, the most successful play of the Spanish dramatist Antonio García Gutiérrez. The National Theatre already staged it in 1854, the year following its world premiere. Later, the Hungarian Royal Opera presented it in its year of inauguration, in 1884, at a time when – almost unbelievably – interest in the work had declined in other opera houses. Thanks to Arturo Toscanini’s revivals in 1902, however, the opera regained new strength to be a pillar of international opera repertoire. The wide-ranging melodrama offers an inexhaustible array of bizarre events: persecution, death at the stake, infanticide, jealousy, thirst for revenge, secrets, suicide, execution, fratricide… The heroes of Verdi’s popular opera endure an almost unimaginable earthly hell, created partly by fate but partly by their own desires and lust for vengeance. Following his popular Nabucco production, conductor-director Gergely Kesselyák once again presents another masterpiece of Italian opera that offers ever new interpretations on a more abstract, universal level wherein our souls, condemned to suffer in the depths of the hell we create ourselves, may take on the roles of Manrico, Luna, Leonora, or Azucena.

Verdi: Il trovatore