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Verdi: Il trovatoreNeuinszenierung

Hungarian State Opera: AuditoriumAndrássy út 22, Budapest, Central Hungary, 1061, Ungarn
Datum/Zeit in Budapest Zeitzone
Donnerstag 06 Mai 202718:00
Samstag 08 Mai 202718:30
Dienstag 11 Mai 202718:30
Donnerstag 13 Mai 202718:30
Sonntag 16 Mai 202711:00
Dienstag 18 Mai 202718:30
Freitag 21 Mai 202718:30
Sonntag 23 Mai 202711:00
Programm
Verdi, Giuseppe (1813-1901)Il trovatoreLibretto von Salvatore Cammarano
Darsteller
Hungarian State Opera
Martin RajnaMusikalische Leitung
Gergely KesselyákRegie
Edit ZekeBühnenbild
Rita VelichKostüme
Tamás PillingerLicht
Hungarian State Opera Orchestra
Hungarian State Opera Chorus
Gábor CsikiChorleitung
Michele KalmandyBaritonIl Conte di Luna2027 Mai 06, 16 mat, 18, 21, 23 mat
Simone PiazzolaBaritonIl Conte di Luna2027 Mai 08, 11, 13
Zsuzsanna ÁdámSopranLeonora2027 Mai 06, 16 mat, 18, 21
Csilla BorossSopranLeonora2027 Mai 08, 11, 13
Valentina PuskásSopranLeonora2027 Mai 23 mat
Erika GálMezzosopranAzucena2027 Mai 06, 16 mat, 18, 21, 23 mat
Anita RachvelishviliMezzosopranAzucena2027 Mai 08, 11, 13
Boldizsár LászlóTenorManrico2027 Mai 06, 13, 16 mat, 18, 23 mat
Yusif EyvazovTenorManrico2027 Mai 08, 11, 21
András PalerdiBassFerrando
Melinda HeiterMezzosopranInes
Artúr SzeleczkiTenorRuiz

Giuseppe Verdi’s opera Il trovatore, one of his most successful works, was inspired by El trovador, the most successful play of the Spanish dramatist Antonio García Gutiérrez. The National Theatre already staged it in 1854, the year following its world premiere. Later, the Hungarian Royal Opera presented it in its year of inauguration, in 1884, at a time when – almost unbelievably – interest in the work had declined in other opera houses. Thanks to Arturo Toscanini’s revivals in 1902, however, the opera regained new strength to be a pillar of international opera repertoire. The wide-ranging melodrama offers an inexhaustible array of bizarre events: persecution, death at the stake, infanticide, jealousy, thirst for revenge, secrets, suicide, execution, fratricide… The heroes of Verdi’s popular opera endure an almost unimaginable earthly hell, created partly by fate but partly by their own desires and lust for vengeance. Following his popular Nabucco production, conductor-director Gergely Kesselyák once again presents another masterpiece of Italian opera that offers ever new interpretations on a more abstract, universal level wherein our souls, condemned to suffer in the depths of the hell we create ourselves, may take on the roles of Manrico, Luna, Leonora, or Azucena.

Verdi: Il trovatore