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GrafeneggFestival-Eröffnung
Beethoven, Orff
Philharmonia Orchestra; Cristian Măcelaru; Nikola Hillebrand; Nicholas Phan; Germán Olvera; Rudolf Buchbinder
MadridMozart - Las bodas de FígaroNouvelle production
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Mozart: Les Noces de Figaro (Le nozze di Figaro)
Stefano Montanari; Robert Carsen; Teatro Real; Christian Schmidt; Luis F Carvalho; Orquesta Titular del Teatro Real
MadridEl barbero de SevillaNouvelle production
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Rossini: Il barbiere di Siviglia (Le Barbier de Séville)
Giacomo Sagripanti; Damiano Michieletto; Teatro Real; Paolo Fantin; Silvia Aymonino; Fabio Barettin; Orquesta Titular del Teatro Real
VienneAsmik Grigorian
Rimski-Korsakov, Tchaïkovski, Puccini
ORF Radio-Symphonieorchester Wien; Stephan Zilias; Asmik Grigorian; Germán Olvera
AmsterdamSimon BoccanegraNouvelle production
Verdi: Simon Boccanegra
Fabio Luisi; Jetske Mijnssen; Dutch National Opera; Étienne Pluss; Hannah Clark; Valerio Tiberi; Orchestre royal du Concertgebouw
RomeLe nozze di Figaro
Mozart: Les Noces de Figaro (Le nozze di Figaro)
Emmanuel Tjeknavorian; Claus Guth; Teatro dell'Opera di Roma; Christian Schmidt; Olaf Winter; Orchestra del Teatro dell'Opera di Roma
Critiques récentesEn voir plus...
Otto Schenks Publikumshit La bohème in München
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Seit 1969 immer wieder ein Hochgenuss: Puccinis La bohème hat in München nichts von ihrer legendären Anziehungskraft verloren.
Glyndebourne’s season opens with Rossini’s Barber of Seville
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Annabel Arden’s production provides joyous comedy, with vocal and orchestral performances of the very finest.
Venables We Are the Lucky Ones is the time to be alive at DNO
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Inspired by Annie Ernaux’s The Years, Philip Venables’ new opera widens the canvas to take in the whole of Europe’s postwar generation.
Merriment aplenty in Cal McCrystal's Merry Widow at Glyndebourne
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Glyndebourne's new production of Lehár's greatest work is interpreted with his customary flair and fun by Cal McCrystal.
Estreno de El caballero de Olmedo en el Teatro de la Zarzuela
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El Teatro de la Zarzuela estrena El caballero de Olmedo con música de Díez Boscovich: grandes voces y demasiada intensidad.
Showing Orff: a rip-roaring Carmina Burana from Yamada and the CBSO
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Psalm 150 and a collection of outrageous 13th-century texts by boisterous young clergyman collide at the Royal Albert Hall in the City of Birmingham Symphony Orchestra's Prom.