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BarcelonaAida

Verdi: Aida (Aïda)
Antonello Manacorda; Shirin Neshat; Gran Teatre del Liceu; Josep Gil; Christian Schmidt; Tatyana van Walsum; Felice Ross
TokyoIl Turco in ItaliaNouvelle production

Rossini: Il turco in Italia
Alessandro Bonato; Laurent Pelly; New National Theatre; Chantal Thomas; Joël Adam; Tokyo Philharmonic Orchestra
MunichLa bohème

Puccini: La bohème
Francesco Ivan Ciampa; Otto Schenk; Bayerische Staatsoper; Rudolf Heinrich; Bayerisches Staatsorchester; Chor des Bayerischen Rundfunks
LondresOpera Rara: Il campo de’ Crociati

Mercadante: Il campo de’ Crociati
Carlo Rizzi; Opera Rara; London Philharmonic Orchestra; English National Opera Chorus; Giorgi Manoshvili; Rosa Feola
LondresLa bohème

Puccini: La bohème
Lorenzo Passerini; Richard Jones; The Royal Opera; Stewart Laing; Mimi Jordan Sherin; Orchestra of the Royal Opera House Covent Garden
LyonLucrèce BorgiaNouvelle production

Donizetti: Lucrezia Borgia
Jader Bignamini; Tatjana Gürbaca; Opéra de Lyon; Ariane Matiakh; Marc Weeger; Dinah Ehm; Pas encore défini
Critiques récentesEn voir plus...
Une Bohème de tradition par Jean-Louis Grinda à Monte-Carlo

Au Grimaldi Forum, la production suscite l'adhésion grâce à une mise en scène très lisible, une direction musicale admirable et une belle distribution, emmenée par une Anna Netrebko des grands soirs.
Darkness without passion: Damiano Michieletto’s Carmen at La Scala

Despite Michieletto's visual gloom, the evening is redeemed by Myung-whun Chung’s masterful conducting and a cast that brings conviction to a production that rarely trusts the opera’s own dramatic power.
San Carlo’s Medea a clash of worlds in a neoclassical framework

A new Medea at the Teatro di San Carlo presents three distinct visions – neoclassical in the pit, expressionistic on stage and conceptual in the direction – that never fully merge.
Sir Antonio Pappano returns to Santa Cecilia for Mozart and Bruckner

Now Director Emeritus of the Orchestra dell'Accademia Nazionale di Santa Cecilia, Sir Antonio Pappano conducts the rarely heard Mass in F minor by Anton Bruckner.
From Priscilla to Pappataci: L’italiana in Algeri in drag at the ROF

Rosetta Cucchi jumps on the bandwagon with a shallow production of L’italiana in Algeri, although Daniela Barcellona’s charisma and vocal prowess dominates the scene.
The Rossini Opera Festival comes home! Bianca e Falliero in Pesaro

Jessica Pratt leads a strong cast in a beautiful performance of one of Rossini’s unjustly forgotten masterpieces, under the spectacular baton of Roberto Abbado, despite an unremarkable new production by Jean-Louis Grinda.
