From Priscilla to Pappataci: L’italiana in Algeri in drag at the ROF

Giorgi Manoshvili (Mustafà) and Daniela Barcellona (Isabella)

L'italiana in Algeri

Gurgen Baveyan (Haly) and chorus

Daniela Barcellona, Giorgi Manoshvili, Misha Kiria (Taddeo) and Josh Lovell (Lindoro)

L'italiana in Algeri

Par Laura Servidei, 13 août 2025

Chargement en cours, veuillez patienter...

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“Barcellona’s coloratura dazzled, her Rossinian style was effortless and flawless”

Critique faite à Teatro Rossini, Pesaro, le 12 août 2025

Rossini, L'italiana in Algeri (L'Italienne à Alger)

Dmitry Korchak, Direction

Rosetta Cucchi, Mise en scène

Tiziano Santi, Décors

Claudia Pernigotti, Costumes

Daniele Naldi, Lumières

Orchestra del Teatro Comunale di Bologna

Coro del Teatro Ventidio Basso

Nicolás Boni, Vidéaste

Daniela Barcellona, Isabella

Josh Lovell, Lindoro

Giorgi Manoshvili, Mustafà

Misha Kiria, Taddeo

Vittoriana De Amicis, Elvira

Andrea Niño, Zulma

Gurgen Baveyan, Haly

Pasquale Veleno, Chef de chœur

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Andrew Larkin, 26th October

Artistic Director Rosetta Cucchi makes a compelling case for Marco Tutino's impassioned opera on the horrors of war from a woman's perspective.

****1

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Jeremy Eccles, 20th February

The Armenian-Australian soprano steps in for an indisposed Ermonela Jaho in Rosetta Cucchi's staging of Cilea's verismo masterpiece.

****1

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Mark Pullinger, 11th August

Rossini's Otello is rarely performed, mainly due to its three demanding tenor roles, but the Rossini Opera Festival delivers a knockout, both vocally and emotionally.

*****

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Lorenzo Fiorito, 29th July

A swan song of the early Baroque opera seria, Scarlatti's final opera flourishes at a festival that specialises in rarely performed works.

****1

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Renato Verga, 19th January

Risurrezione is a work whose value is to be found more in the orchestra than in the vocal lines, a peculiar thing for an Italian opera belonging to an epoch that gloried in enticing melodies.

***11

Rossinian Bake-Off: a delicious double bill at Wexford

Mark Pullinger, 24th October

Rosetta Cucchi, who takes over as Artistic Director at Wexford Festival Opera next season, directs a Rossinian rarity and its newly commissioned "prequel".

****1

Plus de critiques...

Laura Servidei

Mathematician, science nerd, translator of popular science books, obsessed opera fan since the teen years. Day job: business analyst in a software house developing systems for the financial industry. Amateur choral singer. Main musical interests: baroque music and Italian opera. Originally from Italy, currently based in Sweden. I make a mean eggplant parmesan.

From Priscilla to Pappataci: L’italiana in Algeri in drag at the Rossini Opera Festival