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A handsome Così fan tutte opens ETO's Spring tour
It is clear that these women are already ripe for plucking even before Don Alfonso unleashes his dastardly plan.
Mascagni's Isabeau at Opera Holland Park
An embarrassingly trite libretto proves unsalvageable, even with a committed cast of singers.
Humdinger of a Gianni Schicchi from ETO
A great return appearance for English Touring Opera's Puccini double bill opening its spring tour at the Hackney Empire.
Sensitive negotiations: Handel's Radamisto, Guildhall
Superb singing and skilful acting make a good case for Radamisto in a conceptually ambitious new production which, while not entirely successful, is well worth seeing.
Mavra and Iolanta: a strong Russian double-bill
In the first of its opera productions this season, the Guildhall School of Music and Drama presented an interesting combination of Stravinsky's odd little comedy, Mavra and Tchaikovsky's tale of the blind princess, Iolanta.
Gags, rhymes and melodies: Die Fledermaus
After a sparkling Act I, energy fades slightly on a sweltering night in London, but Opera Holland Park's Die Fledermaus has a lot going for it.
