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Undernourished: ENO’s Bohème revival lacks red meat
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Sir Jonathan Miller’s production of Puccini’s classic remains powerful, but ENO’s latest revival underwhelms at the Coliseum.
Prescient then, terrifying now: The Handmaid’s Tale at ENO
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Margaret Atwood’s dystopic novel, masterfully adapted for the operatic stage, is strongly performed at ENO and rings even truer today than it did when it was written.
Blue, Jeanine Tesori's new opera on urban violence, comes to ENO
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Blue could hardly have been better rendered than here. Indeed, I wish every opera I see could be staged with such grace and finesse.
Richard Jones’ second London Ring falters at the first fence
Breastplates are back in vogue, but comedy horses and cheap production values undermine the first chapter in English National Opera's new Ring cycle.
A little touch of magic in Scottish Opera's Hansel and Gretel
Clever stage touches and great voices are enough to win over even the stoniest of hearts.
Royal Opera's A New Dark Age is a powerful cantata for our time
The Royal Opera House responds to current global turmoil with a double bill by four women composers. Baritone Peter Brathwaite delivers a tour de force in The Knife of Dawn and A New Dark Age is a powerful emotional journey.
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GlasgowHansel and Gretel
Humperdinck: Hansel et Gretel (Hänsel und Gretel)
David Parry; Daisy Evans; Scottish Opera; Neil Foulis; Kitty Whately; Rhian Lois; Nadine Benjamin