En direct, Vidéo: Rechercher des critiques de musique classique, opéra et ballet | Olesya Golovneva

The Grand Théâtre de Genève is certainly not risk-averse and Hungarian director Kornél Mundruczó controversially translates the action to a penthouse bar in New York.

Christof Loy and Carlo Rizzi score a great success in bringing Respighi’s rarely performed opera the Deutsche Oper Berlin. 

Christof Loy convierte la fábula Rusalka en una sensible y fina escenificación de la discapacidad.

Lotte de Beer wagt ein Capriccio aus Peter Tschakowskys Jolanthe und dem Nussknacker. Durchweg unterhaltsam, aber nicht bahnbrechend.

This is no Liederabend with singers taking their turn to file up to the piano. It’s a fully staged drama in which baritone Vladislav Sulimsky’s character reflects on his past loves and losses.

El Teatro Real estrena una nueva producción de Rusalka, ópera de Dvořák que enfrenta el mundo mágico y el mundo real, dirigida por Ivor Bolton y Christof Loy.

Meyerbeer's little performed work is given an enthusiastic rendering, with star singing from a big cast led by Flórez, Ciofi and Jerkunica. David Alden's quality Personenregie makes up for some unconvincing setting choices.

Dating from 2008, the Semperoper’s current production of Rigoletto is quite intriguing. It’s set in what appears to be a swanky 21st-century Berlin apartment – industrial, sparse and effortlessly cool – and in many ways this is an interesting choice.