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Artiste: Philip Horst

Critiques récentesEn voir plus...

Rare and intense drama: Smyth's The Wreckers at Glyndebourne

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Smyth's rarely performed tale of evil deeds on the Cornish coast provides searing drama marred by poor intelligibility and an overpowering orchestra.

San Francisco Opera offers a dark, powerful Rusalka

Both vocally and instrumentally the performance  was a high-class one

ENO's new season opens with Bieito's contradictory Fidelio

In his production of Fidelio for English National Opera, director Calixto Bieito sets out to completely contradict the work’s central tenet.