Keeping it surreal: Martinů double-bill at the Royal Academy of Music

Royal Academy Opera company in Martinů’s Alexandre bis (1937)

Martinů’s Comedy on the Bridge (1935)

Samuel Stopford (Oscar) in Alexander bis

Par Dominic Lowe, 10 mai 2024

Chargement en cours, veuillez patienter...

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“more winks and nudges than a hen weekend”

Critique faite à Royal Academy of Music: Susie Sainsbury Theatre, Londres, le 8 mai 2024

Martinů, Comedy on the Bridge

Martinů, Alexandre Bis

Royal Academy Opera

Lada Valešová, Direction

Rachael Hewer, Mise en scène

Leanne Vandenbussche, Décors

Kevin Treacy, Lumières

Le ravissement de Semele à Londres

Georgiana Hatara, 17th November

À la Royal Academy of Music, Semele de Händel offre une expérience jubilatoire et rafraîchissante. Mise en scène ingénieuse et jeunes chanteurs talentueux sont au menu de cette production.

****1

The Royal Academy's Carmen has too many what-if moments

Dominic Lowe, 18th November

Presenting a work like Carmen is a punchy move by a conservatoire. The Royal Academy of Music's production has conceptual weaknesses, but features some good singing.

***11

Royal Academy Opera stages a magical Zauberflöte

Mark Valencia, 18th March

A lyrical yet zesty account of Mozart's' adorable score, in a production that is on the nose and off the wall.

****1

A dystopian Hansel und Gretel at the RAM

Mark Valencia, 20th November

Jack Furness serves up an unappetising mess of Humperdinck's delicious masterpiece for Royal Academy Opera.

***11

Unreal city: The Rake's Progress at the Royal Academy of Music

Benjamin Poore, 22nd November

Frederic Wake-Walker's realisation of the Hogarth-inspired opera is visually bracing and assuredly sung.

****1

Die Wahrheit liegt in der Musik: Dido and Aeneas an der Royal Academy

Rainer Zerbst, 27th May

Ein ausdrucksstarkes Dirigat von Elizabeth Kenny und ein grandioses Sängerensemble beeindrucken in London.

***11

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Dominic Lowe

Dominic Lowe recently completed a degree in Classics, and one of his great interests is the reception of Greece and Rome in opera. A regular opera-goer since his very early teens, he is particularly keen on the hidden operatic gems of the 19th century. He is largely based in the South of England.