Critiques récentesEn voir plus...
Tito désabusé dans le spectacle de Jetske Mijnssen à Copenhague
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Une distribution vocale de très bon niveau, un orchestre en excellente forme, une mise en scène convaincante : la nouvelle production de l'opus mozartien à l'Opéra royal du Danemark est une réussite.
L'Aida caricaturale d'Annabel Arden à Copenhague
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Si la direction musicale de Paolo Carignani, l'orchestre et les chœurs impressionnent, l'ensemble de la production est plombé par une mise en scène caricaturale, tandis que la distribution laisse une impression mitigée.
Chiaroscuro extinguished: a self-indulgent Poppea in Copenhagen
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Christoph Marthaler’s staging of Monteverdi’s Poppea for the Royal Danish Opera is a study in boredom.
Britten’s The Turn of the Screw in Copenhagen
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Anthony Almeida and Rosanna Vize's deconstructed ghostly country house provides plenty of tension; fine vocal qualities are marred by poor intelligibility.
The other Lulu: a Danish rarity in Copenhagen
Dénise Beck shines as the Princess Sidi in the Royal Danish Opera's production of Friedrich Kuhlau's Lulu, receiving its first performances in 180 years.
Carl Nielsen’s Maskarade: Love in the time of selfies
Kasper Holten's production of Carl Nielsen's delightful comedy Maskarade delights in Copenhagen.
Articles récentsEn voir plus...
Political force and psychological trouble: opera world premieres
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Contemporary opera has bounced back from the disruptions of the pandemic with significant gusto. We look ahead to several major operatic world premieres in the 2023–24 season.
State of the (operatic) union: notes from Opera Europa
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Audiences, energy prices, politics, sustainability... With nearly 400 opera executives assembled in Copenhagen, the Opera Europa autumn conference was the ideal venue to take the temperature of the opera industry.
The helicopter view: Opera Europa’s Nicholas Payne
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Opera Europa counts 220 opera companies and festivals amongst its members. Its Director discusses how the opera world is – or isn't – changing.