Live EventsEn voir plus...
LondresBeethoven’s Ninth
Bach, Montgomery, Beethoven
BBC Philharmonic Orchestra; Gianandrea Noseda; Abel Selaocoe; Leah Hawkins; Stephanie Wake-Edwards; Martin Muehle
GlasgowHarrison Birtwistle's The Second Mrs Kong
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BBC Scottish Symphony Orchestra; Martyn Brabbins; Victoria Newlyn; John Findon; Anna Dennis; Sir John Tomlinson
BerlinA Midsummer Night's Dream
Britten: Le Songe d'une nuit d'été
Dalia Stasevska; Ted Huffman; Deutsche Oper Berlin; Marsha Ginsberg; Annemarie Woods; DM Wood; Orchester der Deutschen Oper Berlin
BerlinDie Zauberflöte (The Magic Flute)
Mozart: La Flûte enchantée (Die Zauberflöte)
Anna Handler; Günter Krämer; Deutsche Oper Berlin; Friedrich Praetorius; Andreas Reinhardt; Orchester der Deutschen Oper Berlin
BerlinZar und Zimmermann (Tsar and Carpenter)Nouvelle production
Lortzing: Zar und Zimmermann (Tsar and Carpenter)
Antonello Manacorda; Martin G Berger; Deutsche Oper Berlin; Sarah-Katharina Karl; Esther Bialas; Sascha Zauner; Orchester der Deutschen Oper Berlin
BerlinGiulio Cesare in EgittoNouvelle production
Haendel: Jules César en Egypte (Giulio Cesare in Egitto)
Stefano Montanari; Sir David McVicar; Deutsche Oper Berlin; Robert Jones; Brigitte Reiffenstuel; Paule Constable; Orchester der Deutschen Oper Berlin
Critiques récentesEn voir plus...
Between ecstasy and abyss: Korngold’s Violanta at the Deutsche Oper
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David Hermann directs a new production of Korngold’s teenage opera, conducted by Sir Donald Runnicles, at the Deutsche Oper Berlin.
Glyndebourne’s iconic Dream approaches its century
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Sir Peter Hall's classic staging of Britten's Shakespearean comedy nears a landmark moment in Glyndebourne’s autumn season.
Three card trick: compelling new Queen of Spades at Garsington
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Jack Furness directs a terrific new Queen of Spades at Garsington – haunting and harrowing.
Upstairs, downstairs: Die Frau ohne Schatten at Deutsche Oper
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Tobias Kratzer gives his third Strauss production in three seasons at Deutsche Oper Berlin another contemporary spin.
Garsington Opera's new A Midsummer Night's Dream
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In the first and last acts, ladies entered with a train still attached to a bolt of cloth, which was then cut to length by an attendant. Was this production brought to the stage in a great hurry, allowing no time for costume fittings?
McBurney's delightfully batty Magic Flute returns to the Coliseum
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English National Opera brings back Simon McBurney's theatre of wonders for this Mozart classic.