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Los AngelesCarmenNouvelle production
Bizet: Carmen
Domingo Hindoyan; Thaddeus Strassberger; LA Opera; Mattie Ullrich; Pablo Santiago; LA Opera Orchestra
Los AngelesNabucco
Verdi: Nabucco
Domingo Hindoyan; Thaddeus Strassberger; LA Opera; Mattie Ullrich; Mark McCullough; LA Opera Orchestra
Critiques récentesEn voir plus...
De la poudre aux yeux : fragile Traviata à l'Opéra de Liège
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La mise en scène de Thaddeus Strassberger s'efforce d'en mettre plein la vue mais elle ne rend pas justice au drame de Verdi, tandis qu'Irina Lungu déçoit dans le rôle-titre.
Benvenuto Cellini: Strassberger loses the plot at La Monnaie
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Thaddeus Strassberger’s Brussels debut presents Berlioz's opera semiseria with plenty of good music but far more visual noise.
Technicolor Clemenza at LA Opera
Any parallels between Rome in the first century under Emperor Titus and the United States two millennia later under Emperor Trump were lost in a Tinseltown graphic novel sweep.
The Demon: Botstein sheds light on another neglected opera
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Thaddeus Strassberger proposed a mise-en-scène where the story is reenacted in Tamara’s confused mind while she is confined in a monastery.
Nabucco goes to Hollywood
Monstyrska dominates as Abigaille, Domingo brings his unique baritenor style to the title role, Thaddeus Strassberger creates a riot of colour and antiquarian style.
A hard hitting opera to stay in the memory
In its first full staging in Russia, Miecysław Weinberg’s complex, eclectic score is sung and played with excellence; Thaddeus Strassberger's direction and staging presses all the emotional buttons.
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Annandale-on-HudsonThe Demon
Rubinstein: Le Démon
Leon Botstein; Thaddeus Strassberger; Paul Tate dePoo III; Kaye Voyce; Yefim Zavalny; Olga Tolkmit
Articles récents
Thaddeus Strassberger on La clemenza di Tito at LA Opera
In common with Satyagraha, the core of Mozart's Enlightenment opera is forgiveness: versatile opera director Strassberger discusses his forthcoming LA production and how he gets the best from his singers.