The underworld upstairs: Monteverdi's L'Orfeo at the Gatehouse, Hampstead

Par Dorothy Wilson, 12 novembre 2012

Chargement en cours, veuillez patienter...

Voir le listing complet

Critique faite à Upstairs at the Gatehouse, Londres, le 9 novembre 2012

Monteverdi, L'Orfeo (Orphée), SV318

HGO

Oliver-John Ruthven, Direction

Matthew Eberhardt, Mise en scène

Musica Poetica

Anne Ridler

Edmund Hastings, Orfeo

Natalie Perez, La musica

Sophie Yelland, Proserpina

Theresa Pells, La messaggiera

Ian Helm, Plutone

A heartening return to live opera at Highgate's Lauderdale House

Timmy Fisher, 13th August

HGO's production of Holst's Sāvitri is a smart choice for a socially distant era. But why mess with a winning formula?

***11

HGO serve up a treat with La bohème redux

David Karlin, 9th November

La bohème may not seem the obvious choice for a very small theatre, but HGO carry it off with aplomb, with the help of Rodolfo sung by a star in the making.

****1

Singing triumphs: Monteverdi's Poppea, Hampstead Garden Opera

Charlotte Valori, 12th May

A musically sensitive account of Monteverdi’s Poppea, with simple staging and 1950s costumes, sees singing triumph noticeably over the relative theatrical inexperience of HGO’s talented young cast.

***11

Tragic tears of a clown: Cav and Pag at Hampstead Garden Opera

David Karlin, 14th May

Benjie del Rosario ignites a thrilling Pagliacci, while Cavalleria rusticana is potentially as good but marred by intelligibility and balance issues.

****1

The very model of a modern sexual opportunist

Charlotte Valori, 15th November

A brilliant modern revisioning by Genevieve Raghu, in a superb contemporary translation by Benjamin Hamilton, makes Don Giovanni feel more relevant than ever for the Tinder generation and their disposable approach to love.

****1

Slick and contemporary: HGO's Xerses

Nahoko Gotoh, 26th April

Hampstead Garden Opera’s new staging of Xerxes is slick and contemporary with a well thought-out re-interpretation of the plot, offering a fresh perspective to the opera.

****1

Plus de critiques...

Dorothy Wilson