Lacking passion: Ballett am Rhein presents A Kiss to the World

Ensemble Ballett am Rhein in Dominique Dumais’ A Kiss to the World

Futaba Ishizaki and Daniele Bonelli in Dominique Dumais’ A Kiss to the World

Marta Andreitsiv in Dominique Dumais’ A Kiss to the World

Ensemble Ballett am Rhein in Dominique Dumais’ A Kiss to the World

Par Vikki Jane Vile, 28 janvier 2024

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“They form a line at the front of the stage, contorting their faces into various bizarre expressions”

Critique faite à Opernhaus, Düsseldorf, le 26 janvier 2024

A Kiss to the World (Dominique Dumais)

Ballett am Rhein

Tatyana van Walsum, Décors, Costumes

Düsseldorfer Symphoniker

Futaba Ishizaki, Danse

Edvin Somai, Danse

Doris Becker, Danse

Daniele Bonelli, Danse

Miquel Martínez Pedro, Danse

Demis Volpi leaves Ballett am Rhein with his Favourite Things

Vikki Jane Vile, 7th July

As we reached the end of season gala, Ballett am Rhein offered up a selection of highlights from the past four seasons in celebration of outgoing Artistic Director, Demis Volpi.

***11

Freshly hatched: Gauthier Dance's Dying Swans Project

Graham Watts, 16th April

A very mixed set of filmed solos themed around The Dying Swan, although this link was often tenuous.

***11

Demis Volpi leaves Ballett am Rhein with his Favourite Things

Vikki Jane Vile, 7th July

As we reached the end of season gala, Ballett am Rhein offered up a selection of highlights from the past four seasons in celebration of outgoing Artistic Director, Demis Volpi.

***11

A Streetcar Named Desire: a gripping retelling at Ballett am Rhein

Vikki Jane Vile, 8th May

Ballet isn’t always pretty, there are plenty of examples in repertoires across the world. John Neumeier’s Streetcar Named Desire (Endstation Sehnsucht) is to reach another level of grim but gripping brutality told through dance.

****1

Ballett am Rhein: Boléro still thrills audiences

Vikki Jane Vile, 14th September

Ballett am Rhein open their season by bringing their programme to Düsseldorf, Soirée Ravel. Marking the 150th birthday of composer Maurice Ravel, audiences are treated to four of his most famous compositions.

***11

Ballett am Rhein’s Russ: skillful storytelling but sobering viewing

Vikki Jane Vile, 24th May

“Russ” translates as “soot”, the title of Bridget Breiner’s retelling of Cinderella. However it’s the role of Livia, the rather spirited Stepsister who must navigate the family trauma.

***11

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Vikki Jane Vile

Vikki Jane Vile has been reviewing dance for over ten years, specialising in Ballroom and Ballet. In 2018, she became a member of the Critics' Circle for Dance. Vikki writes for BroadwayWorld and previously Dancing Times, LondonDance.com and CultureWhisper. She also prides herself on being a Strictly Come Dancing connoisseur since its inception and has appeared on BBC radio and several podcasts as an expert on all things Strictly. Having lived in London for ten years, she is now based in Germany and adapting to the Berlin dance scene.

A kiss that lacks passion: Ballett am Rhein presents A Kiss to the World