Lorca retold in Met's remarkable restaging of Golijov’s Ainadamar

Angel Blue (Margarita Xirgu)

Daniela Mack (Federico García Lorca)

Elena Villalón (Nuria)

Elena Villalón (Nuria), Angel Blue (Margarita Xirgu) and Daniela Mack (Federico García Lorca)

Par Kurt Gottschalk, 20 octobre 2024

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Critique faite à Lincoln Center: Metropolitan Opera House, New York, le 15 octobre 2024

Golijov, Ainadamar

Metropolitan Opera

Miguel Harth-Bedoya, Direction

Deborah Colker, Mise en scène, Chorégraphie

Jon Bausor, Décors, Costumes

Paul Keogan, Lumières

The Metropolitan Opera Orchestra

The Metropolitan Opera Chorus

Tal Rosner, Projection designer

Mark Grey, Son

Daniela Mack, Federico García Lorca

Angel Blue, Margarita Xirgu

Elena Villalón, Nuria

Alfredo Tejada, Ruiz Alonzo

Antonio Najarro, Flamenco choreographer

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The Lithuanian soprano’s riveting performance as the central character in Tchaikovsky’s operatic masterpiece lights up Deborah Warner’s mostly bland production.

****1

Innocence: Saariaho’s final opera receives New York premiere

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At the Metropolitan Opera, Innocence proves a gripping and perhaps divisive piece which feels real because it is a reflection of our reality, with no realistic hope of finding peace.

*****

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***11

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Good Butterflys are not that difficult to come by but great ones are very very rare. Ailyn Pérez fits the bill in this revival of Anthony Minghella’s classic staging.

*****

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*****

Porgy and Bess returns stronger than ever at the Met

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Kurt Gottschalk

Kurt Gottschalk is a journalist and author based in New York City. His writings on contemporary and classical music, jazz and improvisation have been published in outlets throughout Europe and America and he has two volumes of short fiction to his name. He produced and hosted the Miniature Minotaurs radio programme on WFMU and currently hosts Afternoon New Music on WKCR.

The life of Lorca retold in the Met’s remarkable restaging of Golijov’s Ainadamar