Hamburg Bohème a feast for voyeurs

Par Jonathan Sutherland, 21 décembre 2017

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Critique faite à Hamburgische Staatsoper: Main Hall, Hamburg, le 19 décembre 2017

Puccini, La bohème

Staatsoper Hamburg

Stefano Ranzani, Direction

Guy Joosten, Mise en scène

Johannes Leiacker, Décors

Jorge Jara, Costumes

Arturo Chacón-Cruz, Rodolfo

Iulia Maria Dan, Mimì

Kartal Karagedik, Marcello

Katerina Tretyakova, Musetta

Zak Kariithi, Schaunard

Alexander Roslavets, Colline

Reinhard Dorn, Benoît

Shin Yeo, Alcindoro

Sascha Kramer, Parpignol

Davy Cunningham, Lumières

Hamburger Alsterspatzen

Philharmonisches Staatsorchester Hamburg

Chor der Hamburgischen Staatsoper

Christian Günther, Chef de chœur

Une partie de chasse maléfique

Anne-Laure Faubert, 14th September

Pierre fondatrice de la tradition de l’opéra romantique allemand, Der Freischütz rappelle que quiconque pénètre dans la forêt entreprend une quête qui aboutit au Bien ou au Mal selon ses choix.

****1

Frauenliebe und -sterben: Kratzer’s triple bill at Staatsoper Hamburg

Mengguang Huang, 15th April

Director Tobias Kratzer engineers a haunting pasticcio of Schumann, Bartók and Zemlinsky, tracing the domestic sphere’s shift from romantic surrender to the blood-soaked secrets of a century-spanning house.

****1

Vampires, Disney and Donald Trump: Monster’s Paradise in Hamburg

Kevin W Ng, 1st February

Olga Neuwirth and Elfriede Jelinek take on Donald Trump in their latest operatic collaboration.

****1

Unsuk Chin's opera Die dunkle Seite des Mondes premieres in Hamburg

Mengguang Huang, 31st May

At Staatsoper Hamburg, Unsuk Chin’s new opera The Dark Side of the Moon immerses audiences in an hypnotic, introspective journey, where dreams, science and psyche collide in a rigorously crafted, thought-provoking spectacle.

****1

Franciscan virtues for a modern age: a multimedia Messiaen remix

Peter Quantrill, 2nd June

No half measures in a triple-decker Hamburg staging of Saint François d'Assise at the Elbphilharmonie.

***11

Enfant terrible: Dmitri Tcherniakovs Salome an der Staatsoper Hamburg

Alexandra Richter, 12th November

In Tcherniakovs neuer Inszenierung an der Staatsoper Hamburg ist Asmik Grigorian nach fünf Jahren endlich wieder als Salome zu erleben.

***11

Plus de critiques...

Jonathan Sutherland

Jonathan Sutherland is a graduate of the Sydney Conservatorium of Music and the Hochschule Mozarteum in Salzburg. He is also an internationally renowned concert pianist specializing in the music of the 1930s. Jonathan’s first operatic experience was hearing Maria Callas sing Tosca in Covent Garden and he has since heard performances in all continents of the world including over 60 different productions at the Wiener Staatsoper. He has written for The Australian, Opera Today and The Opera Critic as well as Bachtrack. Jonathan speaks English, French, German and Italian fluently and is based in the south of France near Nice.

Guy Joosten’s La bohème a feast for voyeurs in Hamburg